MAULBERTSCH, Franz Anton
Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century
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MAULBERTSCH, Franz Anton Decoration of the Cupola oil painting


Decoration of the Cupola
1783 Fresco Parish Church, P?pa The detail depicts the Preaching of St Stephen. Artist:MAULBERTSCH, Franz Anton Title: Decoration of the Cupola (detail), 1751-1800, Austrian , painting , religious
Painting ID::  64404 		MAULBERTSCH, Franz Anton
Decoration of the Cupola
1783 Fresco Parish Church, P?pa The detail depicts the Preaching of St Stephen. Artist:MAULBERTSCH, Franz Anton Title: Decoration of the Cupola (detail), 1751-1800, Austrian , painting , religious
   
   
     
MAULBERTSCH, Franz Anton Annunciation oil painting


Annunciation
1794 Oil on canvas, 81 x 52 cm Bishop's Residence, Szombathely This study was executed for the fresco on the nave ceiling in the Cathedral of Szombathely. Artist:MAULBERTSCH, Franz Anton Title: Annunciation (study), 1751-1800, Austrian , painting , religious
Painting ID::  64417 		MAULBERTSCH, Franz Anton
Annunciation
1794 Oil on canvas, 81 x 52 cm Bishop's Residence, Szombathely This study was executed for the fresco on the nave ceiling in the Cathedral of Szombathely. Artist:MAULBERTSCH, Franz Anton Title: Annunciation (study), 1751-1800, Austrian , painting , religious
   
   
     
MAULBERTSCH, Franz Anton Rebecca and Eliezer oil painting


Rebecca and Eliezer
1745-50 Oil on canvas, 72 x 91,5 cm Museum of Fine Arts, Budapest The painting and its companion-piece, Joseph and his Brothers, are early works showing the influence of Troger and the Venetian painter Giovanni Battista Pittoni. Artist:MAULBERTSCH, Franz Anton Title: Rebecca and Eliezer, 1751-1800, Austrian , painting , religious
Painting ID::  64566 		MAULBERTSCH, Franz Anton
Rebecca and Eliezer
1745-50 Oil on canvas, 72 x 91,5 cm Museum of Fine Arts, Budapest The painting and its companion-piece, Joseph and his Brothers, are early works showing the influence of Troger and the Venetian painter Giovanni Battista Pittoni. Artist:MAULBERTSCH, Franz Anton Title: Rebecca and Eliezer, 1751-1800, Austrian , painting , religious
   
   
     
MAULBERTSCH, Franz Anton Allegory of the Alba oil painting


Allegory of the Alba
1750 Oil on canvas, 67 x 53 cm Wallraf-Richartz Museum, Cologne Tha artist made no distinction between religious and mythological or allegorical subjects, he appalied the same rococo style for all. Artist:MAULBERTSCH, Franz Anton Title: Allegory of the Alba, 1751-1800, Austrian , painting , mythological
Painting ID::  64567 		MAULBERTSCH, Franz Anton
Allegory of the Alba
1750 Oil on canvas, 67 x 53 cm Wallraf-Richartz Museum, Cologne Tha artist made no distinction between religious and mythological or allegorical subjects, he appalied the same rococo style for all. Artist:MAULBERTSCH, Franz Anton Title: Allegory of the Alba, 1751-1800, Austrian , painting , mythological
   
   
     
MAULBERTSCH, Franz Anton The Education of the Virgin oil painting


The Education of the Virgin
. 1755 Oil on canvas, 60 x 30 cm Kunsthalle, Karlsruhe Artist:MAULBERTSCH, Franz Anton Title: The Education of the Virgin, 1751-1800, Austrian , painting , religious
Painting ID::  64570 		MAULBERTSCH, Franz Anton
The Education of the Virgin
. 1755 Oil on canvas, 60 x 30 cm Kunsthalle, Karlsruhe Artist:MAULBERTSCH, Franz Anton Title: The Education of the Virgin, 1751-1800, Austrian , painting , religious
   
   
     
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     MAULBERTSCH, Franz Anton
     Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century

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