Marmion, Simon
French-born Flemish Northern Renaissance Painter, ca.1425-1489 French illuminator and painter. He was trained in Amiens and established a productive workshop in Valenciennes, but at the end of his career appears to have had connections with manuscript painting in the southern Netherlands. Although no signed or documented works survive, many illuminated manuscripts and some panel paintings have been convincingly attributed to him and his workshop. On the basis of these he has been recognized as an important figure in the development of both French and Netherlandish painting.
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Marmion, Simon The Healed Knight and his Son at the Monastery oil painting


The Healed Knight and his Son at the Monastery
Before 1459 Oil on panel Gemäldegalerie, Staatliche Museen, Berlin.
Painting ID::  19293 		Marmion, Simon
The Healed Knight and his Son at the Monastery
Before 1459 Oil on panel Gemäldegalerie, Staatliche Museen, Berlin.
   
   
     
Marmion, Simon A Choir of Angels oil painting


A Choir of Angels
1459 National Gallery, London.
Painting ID::  19294 		Marmion, Simon
A Choir of Angels
1459 National Gallery, London.
   
   
     
Marmion, Simon The Virgin and Child (attributed to Marmion) oil painting


The Virgin and Child (attributed to Marmion)
approx. 1465-75 Oil on panel National Gallery of Victoria, Melbourne.
Painting ID::  19295 		Marmion, Simon
The Virgin and Child (attributed to Marmion)
approx. 1465-75 Oil on panel National Gallery of Victoria, Melbourne.
   
   
     
Marmion, Simon The Sacrifice of Isaac oil painting


The Sacrifice of Isaac
1487-89 Parchment British Library, London.
Painting ID::  19296 		Marmion, Simon
The Sacrifice of Isaac
1487-89 Parchment British Library, London.
   
   
     
Marmion, Simon A Choir of Angels oil painting


A Choir of Angels
nn09 c.1459 57.8x20.5cm
Painting ID::  51712 		Marmion, Simon
A Choir of Angels
nn09 c.1459 57.8x20.5cm
   
   
     
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     Marmion, Simon
     French-born Flemish Northern Renaissance Painter, ca.1425-1489 French illuminator and painter. He was trained in Amiens and established a productive workshop in Valenciennes, but at the end of his career appears to have had connections with manuscript painting in the southern Netherlands. Although no signed or documented works survive, many illuminated manuscripts and some panel paintings have been convincingly attributed to him and his workshop. On the basis of these he has been recognized as an important figure in the development of both French and Netherlandish painting.

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