Mikhail Vrubel
Russian Symbolist Painter, 1856-1910 Russian painter and draughtsman. He was a pioneer of modernism, and his highly innovative technique broke with the traditions of the Academy of Arts in St Petersburg, where he had been a brilliant student; at the same time he felt dissociated from the social consciousness of The Wanderers.
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Mikhail Vrubel Lilacs oil painting


Lilacs
mk72 1900 Oil on cavas 160x177cm Tretyakov Gallery,Moscow
Painting ID::  31240 		Mikhail Vrubel
Lilacs
mk72 1900 Oil on cavas 160x177cm Tretyakov Gallery,Moscow
   
   
     
Mikhail Vrubel Princess Volkhova:Nadezhda zabela-vrubel as volkhova in the opera sadko by nikolai rimsky-Korsakov oil painting


Princess Volkhova:Nadezhda zabela-vrubel as volkhova in the opera sadko by nikolai rimsky-Korsakov
mk72 1898 Watercolor on paper 160.1x61.5cm Russian Museum,St.Petersburg
Painting ID::  31241 		Mikhail Vrubel
Princess Volkhova:Nadezhda zabela-vrubel as volkhova in the opera sadko by nikolai rimsky-Korsakov
mk72 1898 Watercolor on paper 160.1x61.5cm Russian Museum,St.Petersburg
   
   
     
Mikhail Vrubel The Demon in flight oil painting


The Demon in flight
mk72 1899 Unfinished Oil on canvas 138.5x430.5cm Russian Museum,St.Petersburg
Painting ID::  31242 		Mikhail Vrubel
The Demon in flight
mk72 1899 Unfinished Oil on canvas 138.5x430.5cm Russian Museum,St.Petersburg
   
   
     
Mikhail Vrubel The Demon Cast Down oil painting


The Demon Cast Down
mk72 1901 Sketch Watercolor,white,and graphite on cardboard 27.6x63.9cm Russian Museum,St.Petersburg
Painting ID::  31243 		Mikhail Vrubel
The Demon Cast Down
mk72 1901 Sketch Watercolor,white,and graphite on cardboard 27.6x63.9cm Russian Museum,St.Petersburg
   
   
     
Mikhail Vrubel Details of The Demon cast down oil painting


Details of The Demon cast down
mk72 1905
Painting ID::  31244 		Mikhail Vrubel
Details of The Demon cast down
mk72 1905
   
   
     
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     Mikhail Vrubel
     Russian Symbolist Painter, 1856-1910 Russian painter and draughtsman. He was a pioneer of modernism, and his highly innovative technique broke with the traditions of the Academy of Arts in St Petersburg, where he had been a brilliant student; at the same time he felt dissociated from the social consciousness of The Wanderers.

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