Miranda, Juan Carreno de
Spanish, 1614-1685 was a Spanish painter of the Baroque period. Born in Avil's in Asturias, son of a painter with the same name, Juan Carreño de Miranda. His family moved to Madrid in 1623, and he trained in Madrid during the late 1620s as an apprentice to Pedro de Las Cuevas and Bartolom Roman. He came to the notice of Velezquez for his work in the cloister of Doña Maria de Aragen and in the church of El Rosario. In 1658 Carreño was hired as an assistant on a royal commission to paint frescoes in the Alcezar palace, now the Royal Palace of Madrid. In 1671, upon the death of Sebastian de Herrera, he was appointed court painter to the queen (pintor de cemara) and began to paint primarily portraits. He refused to be knighted in the order of Santiago, saying Painting needs no honors, it can give them to the whole world. He is mainly recalled as a painter of portraits. His main pupils were Mateo Cerezo, Cabezalero, Donoso, Ledesma y Sotomayor. He died in Madrid. Noble by descent, he had an understanding of the workings and psychology of the royal court as no painter before him making, his portraits of the Spanish royal family in an unprecedented documentary fashion

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Miranda, Juan Carreno de Portrait of Queen Mariana de Austria as a Widow oil painting


Portrait of Queen Mariana de Austria as a Widow
Date 1673(1673) Medium Oil on canvas Dimensions 196.5 ?? 123.5 cm (77.4 ?? 48.6 in) cyf
Painting ID::  77926
Miranda, Juan Carreno de
Portrait of Queen Mariana de Austria as a Widow
Date 1673(1673) Medium Oil on canvas Dimensions 196.5 ?? 123.5 cm (77.4 ?? 48.6 in) cyf
   
   
     

Miranda, Juan Carreno de Portrait of a lady with a lapdog and pistol oil painting


Portrait of a lady with a lapdog and pistol
ca. 1660(1660) Medium Oil on canvas Dimensions 199 x 155 cm (78.3 x 61 in) cyf
Painting ID::  78205
Miranda, Juan Carreno de
Portrait of a lady with a lapdog and pistol
ca. 1660(1660) Medium Oil on canvas Dimensions 199 x 155 cm (78.3 x 61 in) cyf
   
   
     

Miranda, Juan Carreno de Portrait of the Duke of Pastrana oil painting


Portrait of the Duke of Pastrana
Oil on canvas Dimensions 213 x 123 cm (83.9 x 48.4 in) cyf
Painting ID::  79015
Miranda, Juan Carreno de
Portrait of the Duke of Pastrana
Oil on canvas Dimensions 213 x 123 cm (83.9 x 48.4 in) cyf
   
   
     

Miranda, Juan Carreno de Portrait of the Duke of Pastrana oil painting


Portrait of the Duke of Pastrana
Oil on canvas Dimensions 213 x 123 cm (83.9 x 48.4 in) cyf
Painting ID::  79704
Miranda, Juan Carreno de
Portrait of the Duke of Pastrana
Oil on canvas Dimensions 213 x 123 cm (83.9 x 48.4 in) cyf
   
   
     

Miranda, Juan Carreno de Portrait of Queen Mariana de Austria as a Widow oil painting


Portrait of Queen Mariana de Austria as a Widow
1669(1669) Medium Oil on canvas Dimensions 211 x 125 cm (83.1 x 49.2 in) cyf
Painting ID::  81483
Miranda, Juan Carreno de
Portrait of Queen Mariana de Austria as a Widow
1669(1669) Medium Oil on canvas Dimensions 211 x 125 cm (83.1 x 49.2 in) cyf
   
   
     

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     Miranda, Juan Carreno de
     Spanish, 1614-1685 was a Spanish painter of the Baroque period. Born in Avil's in Asturias, son of a painter with the same name, Juan Carreño de Miranda. His family moved to Madrid in 1623, and he trained in Madrid during the late 1620s as an apprentice to Pedro de Las Cuevas and Bartolom Roman. He came to the notice of Velezquez for his work in the cloister of Doña Maria de Aragen and in the church of El Rosario. In 1658 Carreño was hired as an assistant on a royal commission to paint frescoes in the Alcezar palace, now the Royal Palace of Madrid. In 1671, upon the death of Sebastian de Herrera, he was appointed court painter to the queen (pintor de cemara) and began to paint primarily portraits. He refused to be knighted in the order of Santiago, saying Painting needs no honors, it can give them to the whole world. He is mainly recalled as a painter of portraits. His main pupils were Mateo Cerezo, Cabezalero, Donoso, Ledesma y Sotomayor. He died in Madrid. Noble by descent, he had an understanding of the workings and psychology of the royal court as no painter before him making, his portraits of the Spanish royal family in an unprecedented documentary fashion

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