Monticelli, Adolphe-Joseph
French, 1824-1886 French painter. In 1846, after studying at the Ecole d'Art in Marseille, Monticelli left Provence to study in Paris with Paul Delaroche. Although he had been trained to work in a Neo-classical style by his teachers in Marseille, in Paris he admired the Troubadour pictures of such artists as Pierre R?voil and Fleury Richard and the bold colours and rich surface impasto of Delacroix's oil sketches. He also copied many of the Old Masters in the Louvre. When he returned to Marseille in 1847 Emile Loubon (1809-63), newly appointed director of the Ecole de Dessin in Marseille and a friend of many realist landscape painters in Paris, encouraged him and another local painter, Paul Guigou

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Monticelli, Adolphe-Joseph Still Life with White Pitcher oil painting


Still Life with White Pitcher
Oil on canvas Mus??e d'Orsay, Paris.
Painting ID::  19485
Monticelli, Adolphe-Joseph
Still Life with White Pitcher
Oil on canvas Mus??e d'Orsay, Paris.
   
   
     

Monticelli, Adolphe-Joseph akrobaternas parad oil painting


akrobaternas parad
1877 se
Painting ID::  67965
Monticelli, Adolphe-Joseph
akrobaternas parad
1877 se
   
   
     

Monticelli, Adolphe-Joseph Still Life with Wild and Garden Flowers oil painting


Still Life with Wild and Garden Flowers
oil on panel, in private collection Date 1875-1880 cyf
Painting ID::  80491
Monticelli, Adolphe-Joseph
Still Life with Wild and Garden Flowers
oil on panel, in private collection Date 1875-1880 cyf
   
   
     

Monticelli, Adolphe-Joseph Das Ballsouper oil painting


Das Ballsouper
Olie på lærred, 71x90 cm. Date 1878(1878) cyf
Painting ID::  97585
Monticelli, Adolphe-Joseph
Das Ballsouper
Olie på lærred, 71x90 cm. Date 1878(1878) cyf
   
   
     

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     Monticelli, Adolphe-Joseph
     French, 1824-1886 French painter. In 1846, after studying at the Ecole d'Art in Marseille, Monticelli left Provence to study in Paris with Paul Delaroche. Although he had been trained to work in a Neo-classical style by his teachers in Marseille, in Paris he admired the Troubadour pictures of such artists as Pierre R?voil and Fleury Richard and the bold colours and rich surface impasto of Delacroix's oil sketches. He also copied many of the Old Masters in the Louvre. When he returned to Marseille in 1847 Emile Loubon (1809-63), newly appointed director of the Ecole de Dessin in Marseille and a friend of many realist landscape painters in Paris, encouraged him and another local painter, Paul Guigou

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