Morris, William
English Pre-Raphaelite Writer and Designer, 1834-1896 English designer, writer and activist. His importance as both a designer and propagandist for the arts cannot easily be overestimated, and his influence has continued to be felt throughout the 20th century. He was a committed Socialist whose aim was that, as in the Middle Ages, art should be for the people and by the people, a view expressed in several of his writings. After abandoning his training as an architect, he studied painting among members of the Pre-Raphaelites.

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Morris, William Queen Guenevere oil painting


Queen Guenevere
1858 Oil on canvas Tate Gallery, London.
Painting ID::  19551
Morris, William
Queen Guenevere
1858 Oil on canvas Tate Gallery, London.
   
   
     

Morris, William Queen Guinevere (mk22) oil painting


Queen Guinevere (mk22)
1858 Oil on canvas,72 x 50 cm London,Tate Gallery
Painting ID::  22813
Morris, William
Queen Guinevere (mk22)
1858 Oil on canvas,72 x 50 cm London,Tate Gallery
   
   
     

Morris, William Queen Guenevere oil painting


Queen Guenevere
1858 Oil on canvas 71.3 x 50.7 cm (28 1/8 x 20 in) Tate Gallery London (mk63)
Painting ID::  28271
Morris, William
Queen Guenevere
1858 Oil on canvas 71.3 x 50.7 cm (28 1/8 x 20 in) Tate Gallery London (mk63)
   
   
     

Morris, William Study for The Flight of Night oil painting


Study for The Flight of Night
mk77 1878 Oil on chalk on canvas 62x99in
Painting ID::  31947
Morris, William
Study for The Flight of Night
mk77 1878 Oil on chalk on canvas 62x99in
   
   
     

Morris, William Ariadne oil painting


Ariadne
mk231 1870
Painting ID::  53441
Morris, William
Ariadne
mk231 1870
   
   
     

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     Morris, William
     English Pre-Raphaelite Writer and Designer, 1834-1896 English designer, writer and activist. His importance as both a designer and propagandist for the arts cannot easily be overestimated, and his influence has continued to be felt throughout the 20th century. He was a committed Socialist whose aim was that, as in the Middle Ages, art should be for the people and by the people, a view expressed in several of his writings. After abandoning his training as an architect, he studied painting among members of the Pre-Raphaelites.

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