Ostade, Adriaen van
Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards (1633; St Petersburg, Hermitage).

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Ostade, Adriaen van Sight oil painting


Sight
Oil on panel The Hermitage, St. Petersburg.
Painting ID::  19720
Ostade, Adriaen van
Sight
Oil on panel The Hermitage, St. Petersburg.
   
   
     

Ostade, Adriaen van Woman Holding a Child in her Lap oil painting


Woman Holding a Child in her Lap
1652 Oil on panel Private collection.
Painting ID::  19721
Ostade, Adriaen van
Woman Holding a Child in her Lap
1652 Oil on panel Private collection.
   
   
     

Ostade, Adriaen van The Drinker and the Smoker oil painting


The Drinker and the Smoker
Oil on panel.
Painting ID::  19722
Ostade, Adriaen van
The Drinker and the Smoker
Oil on panel.
   
   
     

Ostade, Adriaen van Peasant Family in an Interior oil painting


Peasant Family in an Interior
1661 Oil on panel.
Painting ID::  19723
Ostade, Adriaen van
Peasant Family in an Interior
1661 Oil on panel.
   
   
     

Ostade, Adriaen van A Peasant Family Outside a Cottage oil painting


A Peasant Family Outside a Cottage
1668 Oil on paper laid on canvas
Painting ID::  19724
Ostade, Adriaen van
A Peasant Family Outside a Cottage
1668 Oil on paper laid on canvas
   
   
     

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     Ostade, Adriaen van
     Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards (1633; St Petersburg, Hermitage).

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