PERUGINO, Pietro
Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,
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PERUGINO, Pietro St Sebastian sg oil painting


St Sebastian sg
Wood, 170 x 117 cm Mus??e du Louvre, Paris
Painting ID::  8522 		PERUGINO, Pietro
St Sebastian sg
Wood, 170 x 117 cm Mus??e du Louvre, Paris
   
   
     
PERUGINO, Pietro Bust of St. Sebastian sg oil painting


Bust of St. Sebastian sg
1493-94 Tempera and oil on wood, 53,5 x 39,5 cm The Hermitage, St. Petersburg
Painting ID::  8523 		PERUGINO, Pietro
Bust of St. Sebastian sg
1493-94 Tempera and oil on wood, 53,5 x 39,5 cm The Hermitage, St. Petersburg
   
   
     
PERUGINO, Pietro The Vision of St. Bernard af oil painting


The Vision of St. Bernard af
1493 Oil on wood, 173 x 170 cm Alte Pinakothek, Munich
Painting ID::  8524 		PERUGINO, Pietro
The Vision of St. Bernard af
1493 Oil on wood, 173 x 170 cm Alte Pinakothek, Munich
   
   
     
PERUGINO, Pietro Baptism of Christ (detail) a oil painting


Baptism of Christ (detail) a
c. 1482 Fresco Cappella Sistina, Vatican
Painting ID::  8525 		PERUGINO, Pietro
Baptism of Christ (detail) a
c. 1482 Fresco Cappella Sistina, Vatican
   
   
     
PERUGINO, Pietro Baptism of Christ (detail) af oil painting


Baptism of Christ (detail) af
c. 1482 Fresco Cappella Sistina, Vatican
Painting ID::  8526 		PERUGINO, Pietro
Baptism of Christ (detail) af
c. 1482 Fresco Cappella Sistina, Vatican
   
   
     
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     PERUGINO, Pietro
     Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,

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