Paul Signac
1863-1935 French Paul Signac Galleries Paul Victor Jules Signac was born in Paris on November 11, 1863. He followed a course of training in architecture before deciding at the age of 18 to pursue a career as a painter. He sailed around the coasts of Europe, painting the landscapes he encountered. He also painted scenes of cities in France in his later years. In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colours and became Seurat's faithful supporter. Under his influence he abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure colour, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of pointillism. Many of Signac's paintings are of the French coast. He left the capital each summer, to stay in the south of France in the village of Collioure or at St. Tropez, where he bought a house and invited his friends. In March 1889, he visited Vincent van Gogh at Arles. The next year he made a short trip to Italy, seeing Genoa, Florence, and Naples. The Port of Saint-Tropez, oil on canvas, 1901Signac loved sailing and began to travel in 1892, sailing a small boat to almost all the ports of France, to Holland, and around the Mediterranean as far as Constantinople, basing his boat at St. Tropez, which he "discovered". From his various ports of call, Signac brought back vibrant, colourful watercolors, sketched rapidly from nature. From these sketches, he painted large studio canvases that are carefully worked out in small, mosaic-like squares of color, quite different from the tiny, variegated dots previously used by Seurat. Signac himself experimented with various media. As well as oil paintings and watercolours he made etchings, lithographs, and many pen-and-ink sketches composed of small, laborious dots. The neo-impressionists influenced the next generation: Signac inspired Henri Matisse and Andr?? Derain in particular, thus playing a decisive role in the evolution of Fauvism. As president of the Societe des Artistes Ind??pendants from 1908 until his death, Signac encouraged younger artists (he was the first to buy a painting by Matisse) by exhibiting the controversial works of the Fauves and the Cubists.
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Paul Signac still life with a book and roanges oil painting


still life with a book and roanges
mk290 1885 oil on canvas 12x18in signed and dated P signac 83 staatliche museen zu berlin nationalgalerie
Painting ID::  71213 		Paul Signac
still life with a book and roanges
mk290 1885 oil on canvas 12x18in signed and dated P signac 83 staatliche museen zu berlin nationalgalerie
   
   
     
Paul Signac stiff northwest breeze oil painting


stiff northwest breeze
mk290 1885 18x25in signed and dated right p signac ray and dagmar dolby san francisco
Painting ID::  71215 		Paul Signac
stiff northwest breeze
mk290 1885 18x25in signed and dated right p signac ray and dagmar dolby san francisco
   
   
     
Paul Signac snow boulevard de clichy pa ris oil painting


snow boulevard de clichy pa ris
mk290 oil on canvas 18x25in signed lower left p signac the minneapolis instiute of arts bequest of putnam dana mcmillan
Painting ID::  71217 		Paul Signac
snow boulevard de clichy pa ris
mk290 oil on canvas 18x25in signed lower left p signac the minneapolis instiute of arts bequest of putnam dana mcmillan
   
   
     
Paul Signac the jun ction at bois colombes oil painting


the jun ction at bois colombes
mk290 1886 18x25in signed and deted lower left p signac 1885 van gogh museum amsterdam
Painting ID::  71218 		Paul Signac
the jun ction at bois colombes
mk290 1886 18x25in signed and deted lower left p signac 1885 van gogh museum amsterdam
   
   
     
Paul Signac the jun ction at bois colombes opus 130 oil painting


the jun ction at bois colombes opus 130
mk290 1886 13x18in signed and dated lower right p signac inscribed lower left op 130 a darzens leeds museums and galleries united kingdom
Painting ID::  71219 		Paul Signac
the jun ction at bois colombes opus 130
mk290 1886 13x18in signed and dated lower right p signac inscribed lower left op 130 a darzens leeds museums and galleries united kingdom
   
   
     
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     Paul Signac
     1863-1935 French Paul Signac Galleries Paul Victor Jules Signac was born in Paris on November 11, 1863. He followed a course of training in architecture before deciding at the age of 18 to pursue a career as a painter. He sailed around the coasts of Europe, painting the landscapes he encountered. He also painted scenes of cities in France in his later years. In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colours and became Seurat's faithful supporter. Under his influence he abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure colour, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of pointillism. Many of Signac's paintings are of the French coast. He left the capital each summer, to stay in the south of France in the village of Collioure or at St. Tropez, where he bought a house and invited his friends. In March 1889, he visited Vincent van Gogh at Arles. The next year he made a short trip to Italy, seeing Genoa, Florence, and Naples. The Port of Saint-Tropez, oil on canvas, 1901Signac loved sailing and began to travel in 1892, sailing a small boat to almost all the ports of France, to Holland, and around the Mediterranean as far as Constantinople, basing his boat at St. Tropez, which he "discovered". From his various ports of call, Signac brought back vibrant, colourful watercolors, sketched rapidly from nature. From these sketches, he painted large studio canvases that are carefully worked out in small, mosaic-like squares of color, quite different from the tiny, variegated dots previously used by Seurat. Signac himself experimented with various media. As well as oil paintings and watercolours he made etchings, lithographs, and many pen-and-ink sketches composed of small, laborious dots. The neo-impressionists influenced the next generation: Signac inspired Henri Matisse and Andr?? Derain in particular, thus playing a decisive role in the evolution of Fauvism. As president of the Societe des Artistes Ind??pendants from 1908 until his death, Signac encouraged younger artists (he was the first to buy a painting by Matisse) by exhibiting the controversial works of the Fauves and the Cubists.

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