Philippe de Champaigne
1602-1674 Philippe de Champaigne Locations His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.
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Philippe de Champaigne Saint Augustin oil painting


Saint Augustin
Date 1645-1650 Medium Oil on canvas Dimensions 78.7 x 62.2 cm cyf
Painting ID::  76160 		Philippe de Champaigne
Saint Augustin
Date 1645-1650 Medium Oil on canvas Dimensions 78.7 x 62.2 cm cyf
   
   
     
Philippe de Champaigne Portrait of Jacques Lemercier (1585-1654), Lemercier's Sorbonne in the background. oil painting


Portrait of Jacques Lemercier (1585-1654), Lemercier's Sorbonne in the background.
17th century Oil on canvas cjr
Painting ID::  76875 		Philippe de Champaigne
Portrait of Jacques Lemercier (1585-1654), Lemercier's Sorbonne in the background.
17th century Oil on canvas cjr
   
   
     
Philippe de Champaigne Triple Portrait of Cardinal de Richelieu oil painting


Triple Portrait of Cardinal de Richelieu
Date probably 1642(1642) Medium Oil on canvas Dimensions 58.7 ?? 72.8 cm (23.1 ?? 28.7 in)[1] cyf
Painting ID::  76912 		Philippe de Champaigne
Triple Portrait of Cardinal de Richelieu
Date probably 1642(1642) Medium Oil on canvas Dimensions 58.7 ?? 72.8 cm (23.1 ?? 28.7 in)[1] cyf
   
   
     
Philippe de Champaigne Jean-Antoine de Mesmes, president of Paris'Parliament. oil painting


Jean-Antoine de Mesmes, president of Paris'Parliament.
1653(1653) Oil on canvas Width: 1.62 m (1.8 yd). Height: 2.23 m (2.4 yd). cjr
Painting ID::  78810 		Philippe de Champaigne
Jean-Antoine de Mesmes, president of Paris'Parliament.
1653(1653) Oil on canvas Width: 1.62 m (1.8 yd). Height: 2.23 m (2.4 yd). cjr
   
   
     
Philippe de Champaigne Les enfants Habert de Montmor oil painting


Les enfants Habert de Montmor
1649(1649) Medium Oil on canvas cyf
Painting ID::  78854 		Philippe de Champaigne
Les enfants Habert de Montmor
1649(1649) Medium Oil on canvas cyf
   
   
     
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     Philippe de Champaigne
     1602-1674 Philippe de Champaigne Locations His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.

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