Pierre-Auguste Renoir
French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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Pierre-Auguste Renoir Kirche in Cagnes oil painting


Kirche in Cagnes
c. 1880- 1890 Medium oil on canvas cjr
Painting ID::  92385
Pierre-Auguste Renoir
Kirche in Cagnes
c. 1880- 1890 Medium oil on canvas cjr
   
   
     

Pierre-Auguste Renoir Gabrielle, Jean und ein Madchen oil painting


Gabrielle, Jean und ein Madchen
c. 1895 Medium oil on canvas Dimensions Deutsch: 65 X 79 cm cjr
Painting ID::  92693
Pierre-Auguste Renoir
Gabrielle, Jean und ein Madchen
c. 1895 Medium oil on canvas Dimensions Deutsch: 65 X 79 cm cjr
   
   
     

Pierre-Auguste Renoir Seascape oil painting


Seascape
1879, oil on canvas cjr
Painting ID::  93126
Pierre-Auguste Renoir
Seascape
1879, oil on canvas cjr
   
   
     

Pierre-Auguste Renoir Chrysanthemums oil painting


Chrysanthemums
1881/82 Medium oil on canvas Dimensions 54.7 x 65.9 cm (21.5 x 25.9 in) cjr
Painting ID::  93558
Pierre-Auguste Renoir
Chrysanthemums
1881/82 Medium oil on canvas Dimensions 54.7 x 65.9 cm (21.5 x 25.9 in) cjr
   
   
     

Pierre-Auguste Renoir Retrato de mujer oil painting


Retrato de mujer
oil on canvas Dimensions 30 x 26 cm (11.8 x 10.2 in) cjr
Painting ID::  93818
Pierre-Auguste Renoir
Retrato de mujer
oil on canvas Dimensions 30 x 26 cm (11.8 x 10.2 in) cjr
   
   
     

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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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