Pieter de Hooch
1629-1684 Dutch Pieter de Hooch Galleries De Hooch was born in Rotterdam to Hendrick Hendricksz de Hooch, a bricklayer, and Annetge Pieters, a midwife. He was the eldest of five children and outlived all of his siblings. He studied art in Haarlem under the landscape painter, Nicolaes Berchem. Beginning in 1650, he worked as a painter and servant for a linen-merchant and art collector named Justus de la Grange. His service for the merchant required him to accompany him on his travels to The Hague, Leiden, and Delft, to which he eventually moved. It is likely that de Hooch handed over most of his works to la Grange during this period in exchange for board and other benefits, as this was a common commercial arrangement for painters at the time, and a later inventory recorded that la Grange possessed eleven of his paintings. De Hooch was married in Delft in 1654 to Jannetje van der Burch, by whom he fathered seven children. While in Delft, de Hooch is also believed to have learned from the painters Carel Fabritius and Nicolaes Maes, who were both early members of the Delft School. He became a member of the painters' guild of Saint Luke in 1655, and had moved to Amsterdam by 1661. The early work of de Hooch, like most young painters of his time, was mostly composed of scenes of soldiers in stables and taverns, though he used these to develop great skill in light, color, and perspective rather than to explore an interest in the subject matter. After beginning his family in the mid-1650s, he switched his focus to domestic scenes and family portraits. His work showed astute observation of the mundane details of everyday life while also functioning as well-ordered morality tales. These paintings often exhibited a sophisticated and delicate treatment of light similar to those of Vermeer, who lived in Delft at the same time as de Hooch. 19th century art historians had assumed that Vermeer had been influenced by de Hooch's work, but the opposite is now believed.

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Pieter de Hooch Courtyard with an Arbor and Drinkers oil painting


Courtyard with an Arbor and Drinkers
1658
Painting ID::  2420
Pieter de Hooch
Courtyard with an Arbor and Drinkers
1658
   
   
     

Pieter de Hooch A Woman Drinking with Two Gentlemen) (mk05) oil painting


A Woman Drinking with Two Gentlemen) (mk05)
1658 Canvas 27 1/4 x 23 1/2'' (69 x 60 cm)Given in 1974
Painting ID::  20614
Pieter de Hooch
A Woman Drinking with Two Gentlemen) (mk05)
1658 Canvas 27 1/4 x 23 1/2'' (69 x 60 cm)Given in 1974
   
   
     

Pieter de Hooch The Courtyard of a House in Delft (mk08) oil painting


The Courtyard of a House in Delft (mk08)
1658 Oil on canvas 73.5x60cm London,National Gallery
Painting ID::  21691
Pieter de Hooch
The Courtyard of a House in Delft (mk08)
1658 Oil on canvas 73.5x60cm London,National Gallery
   
   
     

Pieter de Hooch A Woman and her Maid in a Coutyard (mk08) oil painting


A Woman and her Maid in a Coutyard (mk08)
1660 Oil on canvas 73.7x62.6 London,National Gallery
Painting ID::  21800
Pieter de Hooch
A Woman and her Maid in a Coutyard (mk08)
1660 Oil on canvas 73.7x62.6 London,National Gallery
   
   
     

Pieter de Hooch The Card-Players (mk08) oil painting


The Card-Players (mk08)
c.1663-1665 Oil on canvas. 67x77cm Paris,Musee National du Louvre
Painting ID::  21804
Pieter de Hooch
The Card-Players (mk08)
c.1663-1665 Oil on canvas. 67x77cm Paris,Musee National du Louvre
   
   
     

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     Pieter de Hooch
     1629-1684 Dutch Pieter de Hooch Galleries De Hooch was born in Rotterdam to Hendrick Hendricksz de Hooch, a bricklayer, and Annetge Pieters, a midwife. He was the eldest of five children and outlived all of his siblings. He studied art in Haarlem under the landscape painter, Nicolaes Berchem. Beginning in 1650, he worked as a painter and servant for a linen-merchant and art collector named Justus de la Grange. His service for the merchant required him to accompany him on his travels to The Hague, Leiden, and Delft, to which he eventually moved. It is likely that de Hooch handed over most of his works to la Grange during this period in exchange for board and other benefits, as this was a common commercial arrangement for painters at the time, and a later inventory recorded that la Grange possessed eleven of his paintings. De Hooch was married in Delft in 1654 to Jannetje van der Burch, by whom he fathered seven children. While in Delft, de Hooch is also believed to have learned from the painters Carel Fabritius and Nicolaes Maes, who were both early members of the Delft School. He became a member of the painters' guild of Saint Luke in 1655, and had moved to Amsterdam by 1661. The early work of de Hooch, like most young painters of his time, was mostly composed of scenes of soldiers in stables and taverns, though he used these to develop great skill in light, color, and perspective rather than to explore an interest in the subject matter. After beginning his family in the mid-1650s, he switched his focus to domestic scenes and family portraits. His work showed astute observation of the mundane details of everyday life while also functioning as well-ordered morality tales. These paintings often exhibited a sophisticated and delicate treatment of light similar to those of Vermeer, who lived in Delft at the same time as de Hooch. 19th century art historians had assumed that Vermeer had been influenced by de Hooch's work, but the opposite is now believed.

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