Pietro Perugino
Italian 1450-1523 Pietro Perugino Galleries Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space, was taken up by Raphael and became widely influential throughout Europe.
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Pietro Perugino Assumption of the Virgin with Four Saints oil painting


Assumption of the Virgin with Four Saints
1500(1500) Medium oil on panel cyf
Painting ID::  89979 		Pietro Perugino
Assumption of the Virgin with Four Saints
1500(1500) Medium oil on panel cyf
   
   
     
Pietro Perugino The Vision of St Bernard oil painting


The Vision of St Bernard
1493(1493) Medium oil on panel cyf
Painting ID::  89980 		Pietro Perugino
The Vision of St Bernard
1493(1493) Medium oil on panel cyf
   
   
     
Pietro Perugino Assumption of the Virgin with Four Saints oil painting


Assumption of the Virgin with Four Saints
1500(1500) Medium oil on panel cyf
Painting ID::  89981 		Pietro Perugino
Assumption of the Virgin with Four Saints
1500(1500) Medium oil on panel cyf
   
   
     
Pietro Perugino The Vision of St Bernard oil painting


The Vision of St Bernard
1493(1493) Medium oil on panel cyf
Painting ID::  89982 		Pietro Perugino
The Vision of St Bernard
1493(1493) Medium oil on panel cyf
   
   
     
Pietro Perugino Archangel Michael oil painting


Archangel Michael
1499(1499) Medium oil and tempera on poplar Dimensions Height: 126 cm (49.6 in). Width: 58 cm (22.8 in). cyf
Painting ID::  90044 		Pietro Perugino
Archangel Michael
1499(1499) Medium oil and tempera on poplar Dimensions Height: 126 cm (49.6 in). Width: 58 cm (22.8 in). cyf
   
   
     
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     Pietro Perugino
     Italian 1450-1523 Pietro Perugino Galleries Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space, was taken up by Raphael and became widely influential throughout Europe.

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