Pietro Perugino
Italian 1450-1523 Pietro Perugino Galleries Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space, was taken up by Raphael and became widely influential throughout Europe.

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Pietro Perugino The Saint Augustine Polyptych oil painting


The Saint Augustine Polyptych
1470 Fresco Galleria Nazionale dell'Umbria, Perugia, Italy
Painting ID::  1147
Pietro Perugino
The Saint Augustine Polyptych
1470 Fresco Galleria Nazionale dell'Umbria, Perugia, Italy
   
   
     

Pietro Perugino Vallombrosa Altar oil painting


Vallombrosa Altar
1500 Galleria dell'Accademia, Florence
Painting ID::  1149
Pietro Perugino
Vallombrosa Altar
1500 Galleria dell'Accademia, Florence
   
   
     

Pietro Perugino St.Michael oil painting


St.Michael
1496 National Gallery, London
Painting ID::  1150
Pietro Perugino
St.Michael
1496 National Gallery, London
   
   
     

Pietro Perugino The Virgin and child Surrounded by Two Angels (mk05) oil painting


The Virgin and child Surrounded by Two Angels (mk05)
Wood??tondo??,diameter 58 1/4\'\'(148 cm)Entered the Louvre in 1850
Painting ID::  20039
Pietro Perugino
The Virgin and child Surrounded by Two Angels (mk05)
Wood??tondo??,diameter 58 1/4\'\'(148 cm)Entered the Louvre in 1850
   
   
     

Pietro Perugino st Jerome supporting Two Men on the Gallows oil painting


st Jerome supporting Two Men on the Gallows
Wood 12 1/4 x 12''(31 x 30 cm)Entered the Louvre in 1863
Painting ID::  20041
Pietro Perugino
st Jerome supporting Two Men on the Gallows
Wood 12 1/4 x 12''(31 x 30 cm)Entered the Louvre in 1863
   
   
     

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     Pietro Perugino
     Italian 1450-1523 Pietro Perugino Galleries Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space, was taken up by Raphael and became widely influential throughout Europe.

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