RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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RAFFAELLO Sanzio Madonna del Cardellino ert oil painting


Madonna del Cardellino ert
1507 Oil on wood, 107 x 77 cm Galleria degli Uffizi, Florence
Painting ID::  8735
RAFFAELLO Sanzio
Madonna del Cardellino ert
1507 Oil on wood, 107 x 77 cm Galleria degli Uffizi, Florence
   
   
     

RAFFAELLO Sanzio The Virgin and Child with Saint John the Baptist (La Belle Jardinire)  af oil painting


The Virgin and Child with Saint John the Baptist (La Belle Jardinire) af
1507 Oil on wood, 122 x 80 cm Mus??e du Louvre, Paris
Painting ID::  8736
RAFFAELLO Sanzio
The Virgin and Child with Saint John the Baptist (La Belle Jardinire) af
1507 Oil on wood, 122 x 80 cm Mus??e du Louvre, Paris
   
   
     

RAFFAELLO Sanzio Madonna with Beardless St Joseph sy oil painting


Madonna with Beardless St Joseph sy
1506 Tempera on canvas transferred from wood, 74 x 57 cm The Hermitage, St. Petersburg
Painting ID::  8738
RAFFAELLO Sanzio
Madonna with Beardless St Joseph sy
1506 Tempera on canvas transferred from wood, 74 x 57 cm The Hermitage, St. Petersburg
   
   
     

RAFFAELLO Sanzio The Entombment sys oil painting


The Entombment sys
1507 Oil on wood, 184 x 176 cm Galleria Borghese, Rome
Painting ID::  8739
RAFFAELLO Sanzio
The Entombment sys
1507 Oil on wood, 184 x 176 cm Galleria Borghese, Rome
   
   
     

RAFFAELLO Sanzio The Entombment (detail) st oil painting


The Entombment (detail) st
1507 Oil on wood Galleria Borghese, Rome
Painting ID::  8740
RAFFAELLO Sanzio
The Entombment (detail) st
1507 Oil on wood Galleria Borghese, Rome
   
   
     

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     RAFFAELLO Sanzio
     Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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