RUBENS, Pieter Pauwel
Flemish Baroque Era Painter, 1577-1640
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RUBENS, Pieter Pauwel Virgin and Child Enthroned with Saints oil painting


Virgin and Child Enthroned with Saints
1627-8 Oil on wood, 80.2 x 55.5 cm Staatliche Museen, Berlin This is a sketch for a large altar painting. Artist:RUBENS, Pieter Pauwel Title: Virgin and Child Enthroned with Saints, 1601-1650, Flemish , painting , religious
Painting ID::  64708 		RUBENS, Pieter Pauwel
Virgin and Child Enthroned with Saints
1627-8 Oil on wood, 80.2 x 55.5 cm Staatliche Museen, Berlin This is a sketch for a large altar painting. Artist:RUBENS, Pieter Pauwel Title: Virgin and Child Enthroned with Saints, 1601-1650, Flemish , painting , religious
   
   
     
RUBENS, Pieter Pauwel Madonna in Floral Wreath oil painting


Madonna in Floral Wreath
1620 Oil on oak, 185 x 209,8 cm Alte Pinakothek, Munich Religious flower still-lifes are a special category, first developed by the Fleming Daniel Seghers, a pupil of Jan Brueghel the Elder. However, this can be traced back to Rubens's Madonna in Floral Wreath (in which the floral decoration was painted by Jan Brueghel the Elder). This represents a picture within a picture with an authoritative religious significance, encircled by a floral arrangement and cherubs. Unlike Seghers, however, Rubens did not quote Mary and Jesus as historical traditions or pictorial relics. Instead he preferred to give the impression that they were physically present, even though the motif of a picture within a picture would have been ideally suited for illusionist stylization. Artist:RUBENS, Pieter Pauwel Title: Madonna in Floral Wreath, 1601-1650, Flemish , painting , religious
Painting ID::  64709 		RUBENS, Pieter Pauwel
Madonna in Floral Wreath
1620 Oil on oak, 185 x 209,8 cm Alte Pinakothek, Munich Religious flower still-lifes are a special category, first developed by the Fleming Daniel Seghers, a pupil of Jan Brueghel the Elder. However, this can be traced back to Rubens's Madonna in Floral Wreath (in which the floral decoration was painted by Jan Brueghel the Elder). This represents a picture within a picture with an authoritative religious significance, encircled by a floral arrangement and cherubs. Unlike Seghers, however, Rubens did not quote Mary and Jesus as historical traditions or pictorial relics. Instead he preferred to give the impression that they were physically present, even though the motif of a picture within a picture would have been ideally suited for illusionist stylization. Artist:RUBENS, Pieter Pauwel Title: Madonna in Floral Wreath, 1601-1650, Flemish , painting , religious
   
   
     
RUBENS, Pieter Pauwel Perseus Liberating Andromeda oil painting


Perseus Liberating Andromeda
1639-40 Oil on canvas, 265 x 160 cm Museo del Prado, Madrid This is a late work of Rubens. The unfinished painting was finished by Jacob Jordaens. Artist:RUBENS, Pieter Pauwel Title: Perseus Liberating Andromeda, 1601-1650, Flemish , painting , mythological
Painting ID::  64710 		RUBENS, Pieter Pauwel
Perseus Liberating Andromeda
1639-40 Oil on canvas, 265 x 160 cm Museo del Prado, Madrid This is a late work of Rubens. The unfinished painting was finished by Jacob Jordaens. Artist:RUBENS, Pieter Pauwel Title: Perseus Liberating Andromeda, 1601-1650, Flemish , painting , mythological
   
   
     
RUBENS, Pieter Pauwel Portrait of a Woman oil painting


Portrait of a Woman
Oil on canvas Mus?e des Beaux-Arts, Marseille Artist:RUBENS, Pieter Pauwel Title: Portrait of a Woman, 1601-1650, Flemish , painting , portrait
Painting ID::  64711 		RUBENS, Pieter Pauwel
Portrait of a Woman
Oil on canvas Mus?e des Beaux-Arts, Marseille Artist:RUBENS, Pieter Pauwel Title: Portrait of a Woman, 1601-1650, Flemish , painting , portrait
   
   
     
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