Raphael
Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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Raphael La Fornarina Raphael mistress. oil painting


La Fornarina Raphael mistress.
La Fornarina, Raphael's mistress.
Painting ID::  60375
Raphael
La Fornarina Raphael mistress.
La Fornarina, Raphael's mistress.
   
   
     

Raphael Sistine Madonna oil painting


Sistine Madonna
Sistine Madonna 1513-14
Painting ID::  60376
Raphael
Sistine Madonna
Sistine Madonna 1513-14
   
   
     

Raphael the mass of bolsena oil painting


the mass of bolsena
1512 to 14 ,fresco,259.875 in,660 cm(width at base),vatican museums and galleries,vatican city,ltaly
Painting ID::  62187
Raphael
the mass of bolsena
1512 to 14 ,fresco,259.875 in,660 cm(width at base),vatican museums and galleries,vatican city,ltaly
   
   
     

Raphael madonna of the pinks oil painting


madonna of the pinks
national gallery, london se
Painting ID::  64776
Raphael
madonna of the pinks
national gallery, london se
   
   
     

Raphael crucifixon with oil painting


crucifixon with
the virgin SS. jerome, mary magdalen and john the baptist national gallery,london olj on wood, 280x165cm se
Painting ID::  64777
Raphael
crucifixon with
the virgin SS. jerome, mary magdalen and john the baptist national gallery,london olj on wood, 280x165cm se
   
   
     

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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