Raphael
Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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Raphael oath of pope leo 111fresco detail oil painting


oath of pope leo 111fresco detail
stanza dell, incendio, vatican palace se
Painting ID::  64818
Raphael
oath of pope leo 111fresco detail
stanza dell, incendio, vatican palace se
   
   
     

Raphael view of sala di costantino oil painting


view of sala di costantino
vatican palace se
Painting ID::  64819
Raphael
view of sala di costantino
vatican palace se
   
   
     

Raphael battle of the milvian bridge oil painting


battle of the milvian bridge
sala di costantion, vatican palace. se
Painting ID::  64820
Raphael
battle of the milvian bridge
sala di costantion, vatican palace. se
   
   
     

Raphael the sistine chapel oil painting


the sistine chapel
vatican palace se
Painting ID::  64821
Raphael
the sistine chapel
vatican palace se
   
   
     

Raphael the miraculous draught of fishes oil painting


the miraculous draught of fishes
her majesty the queen, on loan to the vitoria and albert museum. bobdy colour on paper, 320x390cm se
Painting ID::  64822
Raphael
the miraculous draught of fishes
her majesty the queen, on loan to the vitoria and albert museum. bobdy colour on paper, 320x390cm se
   
   
     

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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