SARACENI, Carlo
Italian painter, Roman school (b. 1579, Venezia, d. 1620, Venezia). Italian painter. He is best known for his jewel-like paintings representing sacred and secular themes, which combine a delicate technique inspired by Adam Elsheimer with a note of observed realism owed to Caravaggio. He also painted altarpieces and worked in fresco.
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SARACENI, Carlo The Birth of Christ f oil painting


The Birth of Christ f
c. 1610 Oil on canvas Residenzgalerie, Salzburg
Painting ID::  9058 		SARACENI, Carlo
The Birth of Christ f
c. 1610 Oil on canvas Residenzgalerie, Salzburg
   
   
     
SARACENI, Carlo Saint Cecilia and the Angel sd oil painting


Saint Cecilia and the Angel sd
c. 1610 Oil on canvas, 172 x 139 cm Galleria Nazionale d'Arte Antica, Rome
Painting ID::  9059 		SARACENI, Carlo
Saint Cecilia and the Angel sd
c. 1610 Oil on canvas, 172 x 139 cm Galleria Nazionale d'Arte Antica, Rome
   
   
     
SARACENI, Carlo Saint Cecilia and the Angel (detail) af oil painting


Saint Cecilia and the Angel (detail) af
c. 1610 Oil on canvas Galleria Nazionale d'Arte Antica, Rome
Painting ID::  9060 		SARACENI, Carlo
Saint Cecilia and the Angel (detail) af
c. 1610 Oil on canvas Galleria Nazionale d'Arte Antica, Rome
   
   
     
SARACENI, Carlo St Gregory the Great f oil painting


St Gregory the Great f
c. 1610 Oil on canvas, 102 x 73 cm Galleria Nazionale d'Arte Antica, Rome
Painting ID::  9061 		SARACENI, Carlo
St Gregory the Great f
c. 1610 Oil on canvas, 102 x 73 cm Galleria Nazionale d'Arte Antica, Rome
   
   
     
SARACENI, Carlo Madonna and Child with St Anne dt oil painting


Madonna and Child with St Anne dt
1610 Oil on canvas, 180 x 155 cm Galleria Nazionale d'Arte Antica, Rome
Painting ID::  9062 		SARACENI, Carlo
Madonna and Child with St Anne dt
1610 Oil on canvas, 180 x 155 cm Galleria Nazionale d'Arte Antica, Rome
   
   
     
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     SARACENI, Carlo
     Italian painter, Roman school (b. 1579, Venezia, d. 1620, Venezia). Italian painter. He is best known for his jewel-like paintings representing sacred and secular themes, which combine a delicate technique inspired by Adam Elsheimer with a note of observed realism owed to Caravaggio. He also painted altarpieces and worked in fresco.

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