Samuel John Peploe
Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.

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Samuel John Peploe Self-Portrait oil painting


Self-Portrait
mk147 c.190 Scottish National Gallery of Modern Art.
Painting ID::  39312
Samuel John Peploe
Self-Portrait
mk147 c.190 Scottish National Gallery of Modern Art.
   
   
     

Samuel John Peploe Barra oil painting


Barra
mk147 1903 Scottish National Gallery of Modern Art Edinburgh
Painting ID::  39314
Samuel John Peploe
Barra
mk147 1903 Scottish National Gallery of Modern Art Edinburgh
   
   
     

Samuel John Peploe Etaples oil painting


Etaples
mk147 c.1906 Scottish National Gallery of Modern Art
Painting ID::  39317
Samuel John Peploe
Etaples
mk147 c.1906 Scottish National Gallery of Modern Art
   
   
     

Samuel John Peploe Park Scene oil painting


Park Scene
mk147 1910 Kirkcaldy Museum and Art Gallery
Painting ID::  39318
Samuel John Peploe
Park Scene
mk147 1910 Kirkcaldy Museum and Art Gallery
   
   
     

Samuel John Peploe Ile de Brehat oil painting


Ile de Brehat
mk147 1911 Scottish National Gallery of Modern Art.
Painting ID::  39322
Samuel John Peploe
Ile de Brehat
mk147 1911 Scottish National Gallery of Modern Art.
   
   
     

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     Samuel John Peploe
     Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.

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