Theodore Robinson
1852-1896 Theodore Robinson (July 3, 1852 ?C April 2, 1896) was an American painter best known for his impressionist landscapes. He was one of the first American artists to take up impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism. In 1884 Robinson returned to France where he would live for the next eight years, visiting America only occasionally. Robinson gravitated to Giverny, which had become a center of French impressionist art under the influence of Claude Monet. La Debacle, 1892, collection: Scripps College, Claremont, CaliforniaHistorians are unclear when Robinson met Monet, but by 1888 their friendship was enough for Robinson to move in next door to the famous impressionist. Robinson's art shifted to a more traditional impressionistic manner during this time, likely due to Monet's influence. While a number of American artists had gathered at Giverny, none were as close to Monet as Robinson. Monet offered advice to Robinson, and he likewise solicited Robinson for opinions on Monet's own works in progress. At Giverny, Robinson painted what art historians regard as some of his finest works. These depicted the surrounding countryside in different weather, in the plein air tradition, sometimes with women shown in leisurely poses. An example of his mature work during this period is La Debacle (1892) in the collection of Scripps College, Claremont California.

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Theodore Robinson At the Fountain oil painting


At the Fountain
Date c.1890 Medium Oil on canvas Dimensions Deutsch: 81.28 x 66.04 cm cyf
Painting ID::  73540
Theodore Robinson
At the Fountain
Date c.1890 Medium Oil on canvas Dimensions Deutsch: 81.28 x 66.04 cm cyf
   
   
     

Theodore Robinson Layette oil painting


Layette
Date 1882(1882) Medium Oil on canvas Dimensions Deutsch: 147.64 x 92.08 cm cyf
Painting ID::  75143
Theodore Robinson
Layette
Date 1882(1882) Medium Oil on canvas Dimensions Deutsch: 147.64 x 92.08 cm cyf
   
   
     

Theodore Robinson Angelus oil painting


Angelus
Date 1889(1889) Medium Oil on canvas Dimensions 77.47 X 74.61 cm (30.5 X 29.37 in) cyf
Painting ID::  75144
Theodore Robinson
Angelus
Date 1889(1889) Medium Oil on canvas Dimensions 77.47 X 74.61 cm (30.5 X 29.37 in) cyf
   
   
     

Theodore Robinson Beacon Street, Boston oil painting


Beacon Street, Boston
Oil on canvas, 17 x 21 in Date 1884(1884) cjr
Painting ID::  79760
Theodore Robinson
Beacon Street, Boston
Oil on canvas, 17 x 21 in Date 1884(1884) cjr
   
   
     

Theodore Robinson Material and Dimensions oil painting


Material and Dimensions
Oil on canvas, 28 x 40 in Date 1893(1893) cyf
Painting ID::  83589
Theodore Robinson
Material and Dimensions
Oil on canvas, 28 x 40 in Date 1893(1893) cyf
   
   
     

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     Theodore Robinson
     1852-1896 Theodore Robinson (July 3, 1852 ?C April 2, 1896) was an American painter best known for his impressionist landscapes. He was one of the first American artists to take up impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism. In 1884 Robinson returned to France where he would live for the next eight years, visiting America only occasionally. Robinson gravitated to Giverny, which had become a center of French impressionist art under the influence of Claude Monet. La Debacle, 1892, collection: Scripps College, Claremont, CaliforniaHistorians are unclear when Robinson met Monet, but by 1888 their friendship was enough for Robinson to move in next door to the famous impressionist. Robinson's art shifted to a more traditional impressionistic manner during this time, likely due to Monet's influence. While a number of American artists had gathered at Giverny, none were as close to Monet as Robinson. Monet offered advice to Robinson, and he likewise solicited Robinson for opinions on Monet's own works in progress. At Giverny, Robinson painted what art historians regard as some of his finest works. These depicted the surrounding countryside in different weather, in the plein air tradition, sometimes with women shown in leisurely poses. An example of his mature work during this period is La Debacle (1892) in the collection of Scripps College, Claremont California.

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