Thomas Eakins
American Realist Painter, 1844-1916. Thomas Cowperthwait Eakins (July 25, 1844 ?C June 25, 1916) was a realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some forty years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries; individually, they are incisive depictions of thinking persons. As well, Eakins produced a number of large paintings which brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. These active outdoor venues allowed him to paint the subject which most inspired him: the nude or lightly clad figure in motion. In the process he could model the forms of the body in full sunlight, and create images of deep space utilizing his studies in perspective. No less important in Eakins' life was his work as a teacher. As an instructor he was a highly influential presence in American art. The difficulties which beset him as an artist seeking to paint the portrait and figure realistically were paralleled and even amplified in his career as an educator, where behavioral and sexual scandals truncated his success and damaged his reputation. Eakins also took a keen interest in the new technologies of motion photography, a field in which he is now seen as an innovator. Eakins was a controversial figure whose work received little by way of official recognition during his lifetime. Since his death, he has been celebrated by American art historians as "the strongest, most profound realist in nineteenth-and early-twentieth-century American art".
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Thomas Eakins Home Scene oil painting


Home Scene
Date ca. 1871(1871) Medium Oil on canvas Dimensions 54.4 X 45.7 cm (21.42 X 17.99 in) cyf
Painting ID::  72233 		Thomas Eakins
Home Scene
Date ca. 1871(1871) Medium Oil on canvas Dimensions 54.4 X 45.7 cm (21.42 X 17.99 in) cyf
   
   
     
Thomas Eakins Retrospection oil painting


Retrospection
"Retrospection," oil on wood, by the American artist Thomas Eakins. 14 1/2 in. x 10 1/8 in. Yale University Art Galley, bequest of Stephen Carlton Clark, B.A. 1903. Courtesy of Yale University, New Haven, Conn. 1880(1880) cjr
Painting ID::  72297 		Thomas Eakins
Retrospection
"Retrospection," oil on wood, by the American artist Thomas Eakins. 14 1/2 in. x 10 1/8 in. Yale University Art Galley, bequest of Stephen Carlton Clark, B.A. 1903. Courtesy of Yale University, New Haven, Conn. 1880(1880) cjr
   
   
     
Thomas Eakins Taking the Count oil painting


Taking the Count
"Taking the Count," oil on canvas, by the American artist Thomas Eakins. 96 7/8 in. x 84 5/8 in. Courtesy of the Yale University Art Gallery, Yale University, New Haven, Conn. cjr
Painting ID::  72888 		Thomas Eakins
Taking the Count
"Taking the Count," oil on canvas, by the American artist Thomas Eakins. 96 7/8 in. x 84 5/8 in. Courtesy of the Yale University Art Gallery, Yale University, New Haven, Conn. cjr
   
   
     
Thomas Eakins Maud Cook oil painting


Maud Cook
oil on canvas, by the American artist Thomas Eakins. 62.2 cm x 51.0 cm (24 1/2 in. x 20 1/16 in. ) Yale University Art Gallery, bequest of Stephen Carlton Clark, B.A. 1903. Courtesy of Yale University, New Haven, Connecticut. Date 1895 cyf
Painting ID::  73252 		Thomas Eakins
Maud Cook
oil on canvas, by the American artist Thomas Eakins. 62.2 cm x 51.0 cm (24 1/2 in. x 20 1/16 in. ) Yale University Art Gallery, bequest of Stephen Carlton Clark, B.A. 1903. Courtesy of Yale University, New Haven, Connecticut. Date 1895 cyf
   
   
     
Thomas Eakins Retrospection oil painting


Retrospection
Date 1880 cyf
Painting ID::  73922 		Thomas Eakins
Retrospection
Date 1880 cyf
   
   
     
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     Thomas Eakins
     American Realist Painter, 1844-1916. Thomas Cowperthwait Eakins (July 25, 1844 ?C June 25, 1916) was a realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some forty years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries; individually, they are incisive depictions of thinking persons. As well, Eakins produced a number of large paintings which brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. These active outdoor venues allowed him to paint the subject which most inspired him: the nude or lightly clad figure in motion. In the process he could model the forms of the body in full sunlight, and create images of deep space utilizing his studies in perspective. No less important in Eakins' life was his work as a teacher. As an instructor he was a highly influential presence in American art. The difficulties which beset him as an artist seeking to paint the portrait and figure realistically were paralleled and even amplified in his career as an educator, where behavioral and sexual scandals truncated his success and damaged his reputation. Eakins also took a keen interest in the new technologies of motion photography, a field in which he is now seen as an innovator. Eakins was a controversial figure whose work received little by way of official recognition during his lifetime. Since his death, he has been celebrated by American art historians as "the strongest, most profound realist in nineteenth-and early-twentieth-century American art".

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