Titian
Italian High Renaissance Painter, ca.1485-1576 Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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Titian Backus met with the Ariadne oil painting


Backus met with the Ariadne
mk250 In the year 1522-1523. Oil on canvas, 175.3 x 190.5 cm. National Gallery in London.
Painting ID::  56832 		Titian
Backus met with the Ariadne
mk250 In the year 1522-1523. Oil on canvas, 175.3 x 190.5 cm. National Gallery in London.
   
   
     
Titian Venus Wuerbinnuo oil painting


Venus Wuerbinnuo
mk250 Year in 1538. Oil on canvas, about 122 x 167.6 cm. Uffizi in Florence.
Painting ID::  56833 		Titian
Venus Wuerbinnuo
mk250 Year in 1538. Oil on canvas, about 122 x 167.6 cm. Uffizi in Florence.
   
   
     
Titian Isabella De Site oil painting


Isabella De Site
mk250 the Year in 1534-1536. Oil on canvas, 101.9 x 63.9 cm. Vienna Art History Museum
Painting ID::  56834 		Titian
Isabella De Site
mk250 the Year in 1534-1536. Oil on canvas, 101.9 x 63.9 cm. Vienna Art History Museum
   
   
     
Titian By Pope Alexander six th as the Saint Mala enterprise's hero were introduced that kneels in front of Saint Peter's Ge the cloths wears Salol oil painting


By Pope Alexander six th as the Saint Mala enterprise's hero were introduced that kneels in front of Saint Peter's Ge the cloths wears Salol
mk261 1506, the Antwerp Royal Museum of Fine Arts
Painting ID::  58139 		Titian
By Pope Alexander six th as the Saint Mala enterprise's hero were introduced that kneels in front of Saint Peter's Ge the cloths wears Salol
mk261 1506, the Antwerp Royal Museum of Fine Arts
   
   
     
Titian Titian self portrait, oil painting


Titian self portrait,
Titian self-portrait, c.1567; Museo del Prado, Madrid
Painting ID::  61107 		Titian
Titian self portrait,
Titian self-portrait, c.1567; Museo del Prado, Madrid
   
   
     
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     Titian
     Italian High Renaissance Painter, ca.1485-1576 Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.

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