Titian
Italian High Renaissance Painter, ca.1485-1576 Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.

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Titian Giulia Varano, Duchess of Urbino oil painting


Giulia Varano, Duchess of Urbino
Date between 1545(1545) and 1547(1547) Medium Oil on wood Dimensions Height: 114 cm (44.9 in). Width: 88 cm (34.6 in). cjr
Painting ID::  86896
Titian
Giulia Varano, Duchess of Urbino
Date between 1545(1545) and 1547(1547) Medium Oil on wood Dimensions Height: 114 cm (44.9 in). Width: 88 cm (34.6 in). cjr
   
   
     

Titian Assumption of the Virgin oil painting


Assumption of the Virgin
Date between 1516(1516) and 1518(1518) Medium Oil on wood Dimensions Height: 690 cm (271.7 in). Width: 360 cm (141.7 in). cjr
Painting ID::  86898
Titian
Assumption of the Virgin
Date between 1516(1516) and 1518(1518) Medium Oil on wood Dimensions Height: 690 cm (271.7 in). Width: 360 cm (141.7 in). cjr
   
   
     

Titian Venus and Adonis oil painting


Venus and Adonis
Oil on canvas; 42 x 52 1/2 in. (106.7 x 133.4 cm) cjr
Painting ID::  86999
Titian
Venus and Adonis
Oil on canvas; 42 x 52 1/2 in. (106.7 x 133.4 cm) cjr
   
   
     

Titian St Mary Magdalene oil painting


St Mary Magdalene
Date c. 1532(1532) Medium Oil on wood Dimensions Height: 84 cm (33.1 in). Width: 69 cm (27.2 in). cjr
Painting ID::  87609
Titian
St Mary Magdalene
Date c. 1532(1532) Medium Oil on wood Dimensions Height: 84 cm (33.1 in). Width: 69 cm (27.2 in). cjr
   
   
     

Titian Maria mit dem Kinde, dem Hl. Stephan, Hl. Hieronymus und Hl. Mauritius oil painting


Maria mit dem Kinde, dem Hl. Stephan, Hl. Hieronymus und Hl. Mauritius
c. 1520 Medium Oil on canvas Dimensions Deutsch: 108 x 132 cm cjr
Painting ID::  87879
Titian
Maria mit dem Kinde, dem Hl. Stephan, Hl. Hieronymus und Hl. Mauritius
c. 1520 Medium Oil on canvas Dimensions Deutsch: 108 x 132 cm cjr
   
   
     

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     Titian
     Italian High Renaissance Painter, ca.1485-1576 Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.

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