VELDE, Willem van de, the Younger
Dutch painter (b. 1633, Leiden, d. 1707, London). was a Dutch marine painter. Willem van de Velde was baptised on 18 December 1633 in Leiden, Holland, Dutch Republic. A son of Willem van de Velde the Elder, also a painter of sea-pieces, Willem van de Velde, the younger, was instructed by his father, and afterwards by Simon de Vlieger, a marine painter of repute at the time, and had achieved great celebrity by his art before he came to London. In 1673 he moved to England, where he was engaged by Charles II, at a salary of £100, to aid his father in "taking and making draughts of sea-fights", his part of the work being to reproduce in color the drawings of the elder van de Velde. He was also patronized by the Duke of York and by various members of the nobility. He died on 6 April 1707 in London, England. Most of Van de Velde's finest works represent views off the coast of Holland, with Dutch shipping. His best productions are delicate, spirited and finished in handling, and correct in the drawing of the vessels and their rigging. The numerous figures are tellingly introduced, and the artist is successful in his renderings of sea, whether in calm or storm.

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VELDE, Willem van de, the Younger The pendants The cannon shot and The gust in the collection of the Rijksmuseum Amsterdam oil painting


The pendants The cannon shot and The gust in the collection of the Rijksmuseum Amsterdam
The pendants The cannon shot and The gust (c. 1680), in the collection of the Rijksmuseum Amsterdam
Painting ID::  61410
VELDE, Willem van de, the Younger
The pendants The cannon shot and The gust in the collection of the Rijksmuseum Amsterdam
The pendants The cannon shot and The gust (c. 1680), in the collection of the Rijksmuseum Amsterdam
   
   
     

VELDE, Willem van de, the Younger The Battle of Texel, painted oil painting


The Battle of Texel, painted
The Battle of Texel, painted 1683
Painting ID::  61411
VELDE, Willem van de, the Younger
The Battle of Texel, painted
The Battle of Texel, painted 1683
   
   
     

VELDE, Willem van de, the Younger The burning of the Royal James at the Battle of Solebay oil painting


The burning of the Royal James at the Battle of Solebay
The burning of the Royal James at the Battle of Solebay
Painting ID::  61412
VELDE, Willem van de, the Younger
The burning of the Royal James at the Battle of Solebay
The burning of the Royal James at the Battle of Solebay
   
   
     

VELDE, Willem van de, the Younger HMS St Andrew at sea in a moderate breeze, painted oil painting


HMS St Andrew at sea in a moderate breeze, painted
HMS St Andrew at sea in a moderate breeze, painted c. 1673
Painting ID::  61413
VELDE, Willem van de, the Younger
HMS St Andrew at sea in a moderate breeze, painted
HMS St Andrew at sea in a moderate breeze, painted c. 1673
   
   
     

VELDE, Willem van de, the Younger Ships riding quietly at anchor oil painting


Ships riding quietly at anchor
Ships riding quietly at anchor c.1670s
Painting ID::  61414
VELDE, Willem van de, the Younger
Ships riding quietly at anchor
Ships riding quietly at anchor c.1670s
   
   
     

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     VELDE, Willem van de, the Younger
     Dutch painter (b. 1633, Leiden, d. 1707, London). was a Dutch marine painter. Willem van de Velde was baptised on 18 December 1633 in Leiden, Holland, Dutch Republic. A son of Willem van de Velde the Elder, also a painter of sea-pieces, Willem van de Velde, the younger, was instructed by his father, and afterwards by Simon de Vlieger, a marine painter of repute at the time, and had achieved great celebrity by his art before he came to London. In 1673 he moved to England, where he was engaged by Charles II, at a salary of £100, to aid his father in "taking and making draughts of sea-fights", his part of the work being to reproduce in color the drawings of the elder van de Velde. He was also patronized by the Duke of York and by various members of the nobility. He died on 6 April 1707 in London, England. Most of Van de Velde's finest works represent views off the coast of Holland, with Dutch shipping. His best productions are delicate, spirited and finished in handling, and correct in the drawing of the vessels and their rigging. The numerous figures are tellingly introduced, and the artist is successful in his renderings of sea, whether in calm or storm.

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