Vincenzo Foppa
1427-1516 Italian Vincenzo Foppa Locations Italian painter. Giving new life to the art of the Lombard school, he exercised a great influence upon northern Italian art until the advent of Leonardo da Vinci. He settled (c.1456) in Pavia. There and in Milan he executed many important frescoes, most of which have been destroyed. He painted religious subjects exclusively, ranging from powerful renditions of the Crucifixion (Bergamo) to poignant depictions of the Madonna (Milan; Johnson Coll., Philadelphia; Davis Coll., Newport, R.I.; National Gall. of Art, Washington, D.C.). His large altarpiece of the Madonna and Child with Saints (Brera, Milan) is a notable example of his technical skill and variety of characterization.
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Vincenzo Foppa Madonna and Child with an Angel k oil painting


Madonna and Child with an Angel k
1479-80 Galleria degli Uffizi, Florence
Painting ID::  1235 		Vincenzo Foppa
Madonna and Child with an Angel k
1479-80 Galleria degli Uffizi, Florence
   
   
     
Vincenzo Foppa The Adoration of the Kings oil painting


The Adoration of the Kings
mk170 circa 1490 Oil on poplar 238.3x210.8cm
Painting ID::  42978 		Vincenzo Foppa
The Adoration of the Kings
mk170 circa 1490 Oil on poplar 238.3x210.8cm
   
   
     
Vincenzo Foppa Saint Anthony of Padua Vincenzo Foppa oil painting


Saint Anthony of Padua Vincenzo Foppa
Oil on panel, 148.9 x 57 cm Washington, National Gallery of Art cjr
Painting ID::  82648 		Vincenzo Foppa
Saint Anthony of Padua Vincenzo Foppa
Oil on panel, 148.9 x 57 cm Washington, National Gallery of Art cjr
   
   
     
Vincenzo Foppa Adoration of the Christ Child oil painting


Adoration of the Christ Child
second half of 15th century Medium tempera and oil on panel cyf
Painting ID::  98298 		Vincenzo Foppa
Adoration of the Christ Child
second half of 15th century Medium tempera and oil on panel cyf
   
   
     
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     Vincenzo Foppa
     1427-1516 Italian Vincenzo Foppa Locations Italian painter. Giving new life to the art of the Lombard school, he exercised a great influence upon northern Italian art until the advent of Leonardo da Vinci. He settled (c.1456) in Pavia. There and in Milan he executed many important frescoes, most of which have been destroyed. He painted religious subjects exclusively, ranging from powerful renditions of the Crucifixion (Bergamo) to poignant depictions of the Madonna (Milan; Johnson Coll., Philadelphia; Davis Coll., Newport, R.I.; National Gall. of Art, Washington, D.C.). His large altarpiece of the Madonna and Child with Saints (Brera, Milan) is a notable example of his technical skill and variety of characterization.

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