Wilhelm von Kaulbach
German Painter, ca.1804-1874,Painter and illustrator. After initial instruction from his father, Kaulbach received his principal education, from 1822 to 1826, at the Kunstakademie, Desseldorf, under Peter Cornelius. Six months after Ludwig I, King of Bavaria, had summoned Cornelius to Munich, Kaulbach followed his tutor to the Bavarian capital, where he worked on various collaborative ventures with other pupils of Cornelius, and completed his practical training on such projects as the decoration of the Odeon (destr.) in 1826, and of the Hofgartenarkaden, from 1826 to 1829 (now painted over). More independent work followed with 16 frescoes on the theme of Cupid and Psyche for the Festsaal of the Herzog-Max-Palais (1829-35; now Munich, Neue Pin.),

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Wilhelm von Kaulbach : The Destruction of Jerusalem by Titus oil painting


: The Destruction of Jerusalem by Titus
1846 Oil on canvas, 585 x 705 cm
Painting ID::  44046
Wilhelm von Kaulbach
: The Destruction of Jerusalem by Titus
1846 Oil on canvas, 585 x 705 cm
   
   
     

Wilhelm von Kaulbach Junges Madchen mit Hund oil painting


Junges Madchen mit Hund
118,5 x 95 cm
Painting ID::  71854
Wilhelm von Kaulbach
Junges Madchen mit Hund
118,5 x 95 cm
   
   
     

Wilhelm von Kaulbach Battle of Salamis oil painting


Battle of Salamis
1868 Oil on canvas
Painting ID::  72024
Wilhelm von Kaulbach
Battle of Salamis
1868 Oil on canvas
   
   
     

Wilhelm von Kaulbach Battle of Salamis oil painting


Battle of Salamis
Date 1868 Medium Oil on canvas Dimensions 53.35 m²[1] cyf
Painting ID::  73521
Wilhelm von Kaulbach
Battle of Salamis
Date 1868 Medium Oil on canvas Dimensions 53.35 m²[1] cyf
   
   
     

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     Wilhelm von Kaulbach
     German Painter, ca.1804-1874,Painter and illustrator. After initial instruction from his father, Kaulbach received his principal education, from 1822 to 1826, at the Kunstakademie, Desseldorf, under Peter Cornelius. Six months after Ludwig I, King of Bavaria, had summoned Cornelius to Munich, Kaulbach followed his tutor to the Bavarian capital, where he worked on various collaborative ventures with other pupils of Cornelius, and completed his practical training on such projects as the decoration of the Odeon (destr.) in 1826, and of the Hofgartenarkaden, from 1826 to 1829 (now painted over). More independent work followed with 16 frescoes on the theme of Cupid and Psyche for the Festsaal of the Herzog-Max-Palais (1829-35; now Munich, Neue Pin.),

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