Willem Drost
Dutch Baroque Era Painter, ca.1630-1680 Dutch painter, draughtsman and printmaker, possibly of German origin. According to Houbraken, he was a pupil of Rembrandt, possibly in or shortly before 1650. An early etching signed w drost 1652 is probably a self-portrait, in which Drost portrayed himself as a young man drawing. His earliest dated paintings are two pendants of 1653: the Portrait of a Man (New York, Met.) and the Portrait of a Woman .
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Willem Drost Ruth declares her Loyalty to Naomi (mk33) oil painting


Ruth declares her Loyalty to Naomi (mk33)
Canvas 87x71cm Oxford,Ashmolean Museum
Painting ID::  24701 		Willem Drost
Ruth declares her Loyalty to Naomi (mk33)
Canvas 87x71cm Oxford,Ashmolean Museum
   
   
     
Willem Drost The Vision of Daniel (mk33) oil painting


The Vision of Daniel (mk33)
canvas 98.5x119cm Berlin
Painting ID::  24702 		Willem Drost
The Vision of Daniel (mk33)
canvas 98.5x119cm Berlin
   
   
     
Willem Drost Self-Portrait oil painting


Self-Portrait
mk52 c.1662 Oil on canvas 72x64cm
Painting ID::  26840 		Willem Drost
Self-Portrait
mk52 c.1662 Oil on canvas 72x64cm
   
   
     
Willem Drost Willem Drost, oil painting


Willem Drost,
Willem Drost, Bathsheba, 1654, oil on canvas, Louvre
Painting ID::  58696 		Willem Drost
Willem Drost,
Willem Drost, Bathsheba, 1654, oil on canvas, Louvre
   
   
     
Willem Drost Batsheba met de brief van koning David oil painting


Batsheba met de brief van koning David
Technique Oil on canvas Dimensions 103 cm ?? 87 cm
Painting ID::  68450 		Willem Drost
Batsheba met de brief van koning David
Technique Oil on canvas Dimensions 103 cm ?? 87 cm
   
   
     
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     Willem Drost
     Dutch Baroque Era Painter, ca.1630-1680 Dutch painter, draughtsman and printmaker, possibly of German origin. According to Houbraken, he was a pupil of Rembrandt, possibly in or shortly before 1650. An early etching signed w drost 1652 is probably a self-portrait, in which Drost portrayed himself as a young man drawing. His earliest dated paintings are two pendants of 1653: the Portrait of a Man (New York, Met.) and the Portrait of a Woman .

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