William Etty 1787-1849
English
William Etty Location
English painter. Born into a Methodist family, he was the seventh child of a miller and baker in Feasegate, York, and in 1798 he was apprenticed as a printer to Robert Peck, publisher of the Hull Packet. Financial support from his uncle, a banker, allowed him to go to London in 1805, where he entered the Royal Academy Schools in 1806. For a year, in 1807-8, he was a pupil of Thomas Lawrence, who greatly influenced him. Following the death of his uncle in 1809 he became financially secure. From 1811 he exhibited regularly at the Royal Academy and the British Institution and in 1816 worked in the studio of Jean-Baptiste Regnault in Paris.
Candaules, King of Lydia, Shews his Wife by Stealth to Gyges Candaules, King of Lydia, Shews his Wife by Stealth to Gyges, One of his Ministers, As She Goes to Bed by William Etty. Painting ID:: 58750
William Etty Candaules, King of Lydia, Shews his Wife by Stealth to Gyges Candaules, King of Lydia, Shews his Wife by Stealth to Gyges, One of his Ministers, As She Goes to Bed by William Etty.
Female Nude in a Landscape by William Etty. Nu au milieu d'un paysage, 1820 - 1830,
Oil on paper mounted on masonite, 44.92 x 53.66 cm,
J. Paul Getty Museum, Los Angeles, California, USA
Female Nude in a Landscape by William Etty. Painting ID:: 71858
William Etty Female Nude in a Landscape by William Etty. Nu au milieu d'un paysage, 1820 - 1830,
Oil on paper mounted on masonite, 44.92 x 53.66 cm,
J. Paul Getty Museum, Los Angeles, California, USA
Female Nude in a Landscape by William Etty.
1787-1849
English
William Etty Location
English painter. Born into a Methodist family, he was the seventh child of a miller and baker in Feasegate, York, and in 1798 he was apprenticed as a printer to Robert Peck, publisher of the Hull Packet. Financial support from his uncle, a banker, allowed him to go to London in 1805, where he entered the Royal Academy Schools in 1806. For a year, in 1807-8, he was a pupil of Thomas Lawrence, who greatly influenced him. Following the death of his uncle in 1809 he became financially secure. From 1811 he exhibited regularly at the Royal Academy and the British Institution and in 1816 worked in the studio of Jean-Baptiste Regnault in Paris.