joris Hoefnagel
Flemish Northern Renaissance Manuscript Illuminator, 1542-ca.1600,Flemish illuminator and draughtsman. He was the last of the great Flemish manuscript illuminators and the foremost topographical draughtsman of his age. His work forms a critical link between earlier manuscript illumination and ornamental design and the genre of floral still-life painting,
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joris Hoefnagel A Fete at Bermondsey oil painting


A Fete at Bermondsey
mk160 c.1570
Painting ID::  41400 		joris Hoefnagel
A Fete at Bermondsey
mk160 c.1570
   
   
     
joris Hoefnagel View of Candia and Corfu oil painting


View of Candia and Corfu
c. 1572
Painting ID::  52695 		joris Hoefnagel
View of Candia and Corfu
c. 1572
   
   
     
joris Hoefnagel View of Candia and Corfu oil painting


View of Candia and Corfu
mk233 c.1572
Painting ID::  53557 		joris Hoefnagel
View of Candia and Corfu
mk233 c.1572
   
   
     
joris Hoefnagel A Fete at Bermondsey or A Marriage Feast at Bermondsey. oil painting


A Fete at Bermondsey or A Marriage Feast at Bermondsey.
c. 1569 Oil on panel 73.8 x 99 cm (29 x 39 in) cjr
Painting ID::  79825 		joris Hoefnagel
A Fete at Bermondsey or A Marriage Feast at Bermondsey.
c. 1569 Oil on panel 73.8 x 99 cm (29 x 39 in) cjr
   
   
     
joris Hoefnagel A Fete at Bermondsey or A Marriage Feast at Bermondsey oil painting


A Fete at Bermondsey or A Marriage Feast at Bermondsey
A Fete at Bermondsey or A Marriage Feast at Bermondsey. This painting illustrates a panorama of society in the reign of Elizabeth I of England, who ma c. 1569 Oil on panel 73.8 x 99 cm (29 x 39 in) cjr
Painting ID::  79863 		joris Hoefnagel
A Fete at Bermondsey or A Marriage Feast at Bermondsey
A Fete at Bermondsey or A Marriage Feast at Bermondsey. This painting illustrates a panorama of society in the reign of Elizabeth I of England, who ma c. 1569 Oil on panel 73.8 x 99 cm (29 x 39 in) cjr
   
   
     
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     joris Hoefnagel
     Flemish Northern Renaissance Manuscript Illuminator, 1542-ca.1600,Flemish illuminator and draughtsman. He was the last of the great Flemish manuscript illuminators and the foremost topographical draughtsman of his age. His work forms a critical link between earlier manuscript illumination and ornamental design and the genre of floral still-life painting,

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