Madonna Nursing
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since. 115 x 73 mm Metropolitan Museum of Art, New York Michelangelesque monumentality and gloom here replace the Raphaelesque equilibrium of loveliness and solemnity of the Madonna Crowned by Two Angels. The group detaches itself from the solid background like sculpture projecting from a wall. The figure of the Virgin is composed of two block-like units, the lower one resembling an enormous cube. The emphasis is here shifted from linear values and dynamic movement to schematised volume.Artist:D?RER, Albrecht Title: Madonna Nursing Painted in 1501-1550 , German - - graphics : religious
Painting ID:: 63613
Albrecht Durer b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since. Madonna Nursing 115 x 73 mm Metropolitan Museum of Art, New York Michelangelesque monumentality and gloom here replace the Raphaelesque equilibrium of loveliness and solemnity of the Madonna Crowned by Two Angels. The group detaches itself from the solid background like sculpture projecting from a wall. The figure of the Virgin is composed of two block-like units, the lower one resembling an enormous cube. The emphasis is here shifted from linear values and dynamic movement to schematised volume.Artist:D?RER, Albrecht Title: Madonna Nursing Painted in 1501-1550 , German - - graphics : religious
