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Bartolome Bermejo Saint Augustine oil painting reproduction


Bartolome Bermejo

Saint Augustine
Spanish Early Renaissance Painter, ca.1405-1498
Date between 1477(1477) and 1485(1485) Medium Oil on panel Dimensions 49 x 27.7 cm cjr
Painting ID::  83984
 

 

Bartolome Bermejo Saint Augustine oil painting reproduction


Bartolome Bermejo

Saint Augustine
Spanish Early Renaissance Painter, ca.1405-1498
between 1477(1477) and 1485(1485) Medium Oil on panel Dimensions 49 x 27.7 cm cyf
Painting ID::  87840
 

 

Sandro Botticelli Saint Augustine oil painting reproduction


Sandro Botticelli

Saint Augustine
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
1480 Type Fresco Dimensions 152 cm x 112 cm (60 in x 44 in) cyf
Painting ID::  94657
 

 

Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
Saint Augustine
1480 Type Fresco Dimensions 152 cm x 112 cm (60 in x 44 in) cyf

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