Pilate's Dispute with the High Priest; The Holy Women and St John at Golgotha dfg
Netherlandish Northern Renaissance Painter, ca.1460-1523
Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, 1480-85
Oil on panel, 45 x 42,5 cm (each)
Koninklijk Museum voor Schone Kunsten, Antwerp
Painting ID:: 6381
DAVID, Gerard Netherlandish Northern Renaissance Painter, ca.1460-1523
Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, Pilate's Dispute with the High Priest; The Holy Women and St John at Golgotha dfg 1480-85
Oil on panel, 45 x 42,5 cm (each)
Koninklijk Museum voor Schone Kunsten, Antwerp
