Femmes d'Alger dans leur appartement (mk32)
French Romantic Painter, 1798-1863
For 40 years Eugene Delacroix was one of the most prominent and controversial painters in France. Although the intense emotional expressiveness of his work placed the artist squarely in the midst of the general romantic outpouring of European art, he always remained an individual phenomenon and did not create a school. As a personality and as a painter, he was admired by the impressionists, postimpressionists, and symbolists who came after him.
Born on April 28, 1798, at Charenton-Saint-Maurice, the son of an important public official, Delacroix grew up in comfortable upper-middle-class circumstances in spite of the troubled times. He received a good classical education at the Lycee Imperial. He entered the studio of Pierre Narcisse Guerin in 1815, where he met Theodore Gericaul huile sur toile signee et datee 1834 180 x 229 cm Musee du Louvre Paris Un certain nombre d'artistes europeens pretendent avoir apercu comme Delacroix des femmes musulmanes dans leurs appartements du harem mais c'aurait ete violer un code social strict
Painting ID:: 25046
Eugene Delacroix French Romantic Painter, 1798-1863
For 40 years Eugene Delacroix was one of the most prominent and controversial painters in France. Although the intense emotional expressiveness of his work placed the artist squarely in the midst of the general romantic outpouring of European art, he always remained an individual phenomenon and did not create a school. As a personality and as a painter, he was admired by the impressionists, postimpressionists, and symbolists who came after him.
Born on April 28, 1798, at Charenton-Saint-Maurice, the son of an important public official, Delacroix grew up in comfortable upper-middle-class circumstances in spite of the troubled times. He received a good classical education at the Lycee Imperial. He entered the studio of Pierre Narcisse Guerin in 1815, where he met Theodore Gericaul Femmes d'Alger dans leur appartement (mk32) huile sur toile signee et datee 1834 180 x 229 cm Musee du Louvre Paris Un certain nombre d'artistes europeens pretendent avoir apercu comme Delacroix des femmes musulmanes dans leurs appartements du harem mais c'aurait ete violer un code social strict
