Morning in the Riesengebirge
1789-1869
German
German religious painter. Expelled from the Vienna Academy because of his opposition to its classicism, he went to Rome and with Peter von Cornelius, Veit, Schadow-Godenhaus, and others, formed the group known as the Nazarenes. His first real successes were his frescoes for the Casa Bartholdy (now in Berlin) and for the Villa Massimo. Among his notable paintings are Christ Entry into Jerusalem and Christ Agony in the Garden. Overbeck sought to make his art serve religion. His influence was due more to the purity of his doctrine than to the power of his work, which is often lacking in pictorial appeal and in color. 1810-11 Oil on canvas, 108 x 170 cm Nationalgalerie, Berlin With his friend Kersting he had made a tour of the mountainous area near Dresden known as 'Saxon Switzerland', in the summer of 1810. Morning in the Riesengebirge, painted shortly afterwards, is another exposition of his theme of the cross on a peak. It may be seen as a sort of continuation of the Tetschen Altar. The planes of earth and sky, representing the bodily and the infinite, are bridged by the crucifix, lit by the morning sun. Artist: FRIEDRICH, Caspar David Title: Morning in the Riesengebirge , painting Date: 1801-1850 German : landscape
Painting ID:: 62851
Friedrich Johann Overbeck 1789-1869
German
German religious painter. Expelled from the Vienna Academy because of his opposition to its classicism, he went to Rome and with Peter von Cornelius, Veit, Schadow-Godenhaus, and others, formed the group known as the Nazarenes. His first real successes were his frescoes for the Casa Bartholdy (now in Berlin) and for the Villa Massimo. Among his notable paintings are Christ Entry into Jerusalem and Christ Agony in the Garden. Overbeck sought to make his art serve religion. His influence was due more to the purity of his doctrine than to the power of his work, which is often lacking in pictorial appeal and in color. Morning in the Riesengebirge 1810-11 Oil on canvas, 108 x 170 cm Nationalgalerie, Berlin With his friend Kersting he had made a tour of the mountainous area near Dresden known as 'Saxon Switzerland', in the summer of 1810. Morning in the Riesengebirge, painted shortly afterwards, is another exposition of his theme of the cross on a peak. It may be seen as a sort of continuation of the Tetschen Altar. The planes of earth and sky, representing the bodily and the infinite, are bridged by the crucifix, lit by the morning sun. Artist: FRIEDRICH, Caspar David Title: Morning in the Riesengebirge , painting Date: 1801-1850 German : landscape
