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Henri De Toulouse-Lautrec The bed oil painting reproduction


Henri De Toulouse-Lautrec

The bed
1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
1892 1' 9 1/4'' x 2' 3 3/4''(54 x 70.5 cm)Bequest of Antonin Personnaz,1937
Painting ID::  11608
 

 

Mikhail Vrubel The bed oil painting reproduction


Mikhail Vrubel

The bed
Russian Symbolist Painter, 1856-1910 Russian painter and draughtsman. He was a pioneer of modernism, and his highly innovative technique broke with the traditions of the Academy of Arts in St Petersburg, where he had been a brilliant student; at the same time he felt dissociated from the social consciousness of The Wanderers.
mk72 1904-05 From the Insomnia series Graphite on paper 23x33cm Russiaa Museum,St Petersburg
Painting ID::  31255
 

 

Henri de toulouse-lautrec the bed oil painting reproduction


Henri de toulouse-lautrec

the bed
1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
mk247 1892,oil on cardboard,21x27 in,54x70.5 cm,musee d orsay,paris,france
Painting ID::  56353
 

 

Henri de toulouse-lautrec
1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
the bed
mk247 1892,oil on cardboard,21x27 in,54x70.5 cm,musee d orsay,paris,france

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