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Jean Leon Gerome Femme de Constantinople debout (mk32) oil painting reproduction


Jean Leon Gerome

Femme de Constantinople debout (mk32)
French 1824-1904 Jean Leon Gerome Galleries French painter, sculptor, and teacher. Son of a goldsmith, he studied in Paris and painted melodramatic and often erotic historical and mythological compositions, excelling as a draftsman in the linear style of Jean-Auguste-Dominique Ingres. His best-known works are scenes inspired by several visits to Egypt. In his later years he produced mostly sculpture. He exerted much influence as a teacher at the Ecole des Beaux-Arts; his pupils included Odilon Redon and Thomas Eakins. A staunch defender of the academic tradition, he tried in 1893 to block the government acceptance of the Impressionist works bequeathed by Gustave Caillebotte.
huile sur toile 39 x 32 cm 1876 coll Mr et Mrs Joseph M Tanenbaum Toronto Decrit autrefois Par erreur comme le Portrait d'une Algerienne Le Yachmak Porte Par les femmes de qualite de Constantinople Permettait de voir clairement les traits du visage mais il etait important de ne pas montrer le nez tout entier
Painting ID::  25028
 

 

Jean Leon Gerome
French 1824-1904 Jean Leon Gerome Galleries French painter, sculptor, and teacher. Son of a goldsmith, he studied in Paris and painted melodramatic and often erotic historical and mythological compositions, excelling as a draftsman in the linear style of Jean-Auguste-Dominique Ingres. His best-known works are scenes inspired by several visits to Egypt. In his later years he produced mostly sculpture. He exerted much influence as a teacher at the Ecole des Beaux-Arts; his pupils included Odilon Redon and Thomas Eakins. A staunch defender of the academic tradition, he tried in 1893 to block the government acceptance of the Impressionist works bequeathed by Gustave Caillebotte.
Femme de Constantinople debout (mk32)
huile sur toile 39 x 32 cm 1876 coll Mr et Mrs Joseph M Tanenbaum Toronto Decrit autrefois Par erreur comme le Portrait d'une Algerienne Le Yachmak Porte Par les femmes de qualite de Constantinople Permettait de voir clairement les traits du visage mais il etait important de ne pas montrer le nez tout entier

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