Organ
1788-1857
Norwegian
1857). Norwegian painter and collector, active in Germany. His paintings, imbued with Romantic and patriotic sentiments, had a strong influence on the landscape tradition both in Germany (especially Dresden) and in his native Norway. 1754-56 - Benedictine Abbey, Ottobeuren The stalls and woodwork of the organ in the "Swabian Escorial" were done by Josef Christian, sculptor, Martin Hormann, cabinetmaker and Karl Josef Riepp, organ-maker, who together created one of the most beautiful musical instruments of all time. The relationship of masses and supports on the triple-storied organ, beneath the frescoed vault, the exuberance of forms in the cabinetwork and stuccoes, the variety in the sculptural vocabulary for the atlantes and the gilded reliefs - in themselves suggesting a harmony appropriate to 18th-century musical forms - combine in the ideal, total masterpiece that was to transmit the monks' prayers to the Heavens. It is the only 18th-century organ that still preserves entire its original form
Painting ID:: 62423
Johan Christian Dahl 1788-1857
Norwegian
1857). Norwegian painter and collector, active in Germany. His paintings, imbued with Romantic and patriotic sentiments, had a strong influence on the landscape tradition both in Germany (especially Dresden) and in his native Norway. Organ 1754-56 - Benedictine Abbey, Ottobeuren The stalls and woodwork of the organ in the "Swabian Escorial" were done by Josef Christian, sculptor, Martin Hormann, cabinetmaker and Karl Josef Riepp, organ-maker, who together created one of the most beautiful musical instruments of all time. The relationship of masses and supports on the triple-storied organ, beneath the frescoed vault, the exuberance of forms in the cabinetwork and stuccoes, the variety in the sculptural vocabulary for the atlantes and the gilded reliefs - in themselves suggesting a harmony appropriate to 18th-century musical forms - combine in the ideal, total masterpiece that was to transmit the monks' prayers to the Heavens. It is the only 18th-century organ that still preserves entire its original form
