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Theodor Esbern Philipsen A Late Autumn Day in Dyrehaven, Sunshine oil painting reproduction


Theodor Esbern Philipsen

A Late Autumn Day in Dyrehaven, Sunshine
1840-1920 Danish painter, sculptor and draughtsman. He studied at the Kongelige Akademi for de Skenne Kunster, Copenhagen, in 1862-3 and 1865-9, and in Paris under Leon Bonnat in 1875-6. He was an important figure in the development and renewal of Danish naturalism, linking the Danish Golden Age tradition with new French ideas. Conscious of the importance of plein-air painting, he was first a great admirer of the Barbizon school; later he was influenced by the Impressionists, becoming the only truly Danish Impressionist. Frequent visits abroad helped him develop his outlook; he eagerly studied the Old Masters, and the strong light of the south
Oil on canvas, 66.5 x 84.5 cm Date 1886(1886) cjr
Painting ID::  79936
 

 

Theodor Esbern Philipsen A Late Autumn Day in Dyrehaven, Sunshine oil painting reproduction


Theodor Esbern Philipsen

A Late Autumn Day in Dyrehaven, Sunshine
1840-1920 Danish painter, sculptor and draughtsman. He studied at the Kongelige Akademi for de Skenne Kunster, Copenhagen, in 1862-3 and 1865-9, and in Paris under Leon Bonnat in 1875-6. He was an important figure in the development and renewal of Danish naturalism, linking the Danish Golden Age tradition with new French ideas. Conscious of the importance of plein-air painting, he was first a great admirer of the Barbizon school; later he was influenced by the Impressionists, becoming the only truly Danish Impressionist. Frequent visits abroad helped him develop his outlook; he eagerly studied the Old Masters, and the strong light of the south
Oil on canvas, 66.5 x 84.5 cm Date 1886(1886) cyf
Painting ID::  83909
 

 

Theodor Esbern Philipsen
1840-1920 Danish painter, sculptor and draughtsman. He studied at the Kongelige Akademi for de Skenne Kunster, Copenhagen, in 1862-3 and 1865-9, and in Paris under Leon Bonnat in 1875-6. He was an important figure in the development and renewal of Danish naturalism, linking the Danish Golden Age tradition with new French ideas. Conscious of the importance of plein-air painting, he was first a great admirer of the Barbizon school; later he was influenced by the Impressionists, becoming the only truly Danish Impressionist. Frequent visits abroad helped him develop his outlook; he eagerly studied the Old Masters, and the strong light of the south
A Late Autumn Day in Dyrehaven, Sunshine
Oil on canvas, 66.5 x 84.5 cm Date 1886(1886) cyf

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