Oil on wood Groeninge Museum, Bruges The detail depicts the Massacre by the Huns. Throughout the 15th century - a century of perpetual innovation - the great creative figures of Flemish painting were surrounded by many "minor" artists. These lesser-known painters have often been treated with condescension, merely because they happened to be overshadowed by the major creators. But many of them are no less remarkable on that account. Some of the finest work was also produced by anonymous hands, painters such as the Master of the Legend of St Ursula, and the Master of the Adoration of Khanenko. In their day, these painters were widely celebrated for their achievements. , Artist: MASTER of the Legend of St. Ursula , Scenes from the Life of St Ursula (detail) , 1451-1500 , Flemish , painting , religious
Painting ID:: 64199
Scenes from the Life of St Ursula
(fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.
second half of 15th century
Medium Oil on wood
cyf
Painting ID:: 87835
Master of the Legend of St. Lucy (fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.
Scenes from the Life of St Ursula second half of 15th century
Medium Oil on wood
cyf
