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The Death of Francesca da Rimini and Paolo Malatesta
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The_Death_of_Francesca_da_Rimini_and_Paolo_Malatesta
1870
Musee d'Orsay, Paris
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The Birth of Venus
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The_Birth_of_Venus
1863
Musee d\'Orsay, Paris
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La Comtesse de Keller
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La_Comtesse_de_Keller
1873.
3' 3" x 2' 6" ( 99x76 cm ).
Gift of Marquis and Marquis de Saint - Yves d'Alveydre, 1889.
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Prince K A Gorchakov (san 05)
new6/Alexandre Cabanel-843657.jpg
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Prince_K_A_Gorchakov_(san_05)
1868
(Inv No 5093)Oil on canvas 26 1/2 x 22''(67 x 56 cm)(Ex coll Gorchakov St Petersburg)
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The Birth of Venus
new16/Alexandre Cabanel-644352.jpg
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The_Birth_of_Venus
mk156
c.1863
Oil on canvas
130x225cm
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Alexandre__Cabanel
1823-1889
French Alexandre Cabanel Locations
French painter and teacher. His skill in drawing was apparently evident by the age of 11. His father could not afford his training, but in 1839 his departement gave him a grant to go to Paris. This enabled him to register at the Ecole des Beaux-Arts the following October as a pupil of Francois-Edouard Picot. At his first Salon in 1843 he presented Agony in the Garden (Valenciennes, Mus. B.-A.) and won second place in the Prix de Rome competition (after Lon Benouville, also a pupil of Picot) in 1845 with Christ at the Praetorium (Paris, Ecole N. Sup. B.-A.). Both Cabanel and Benouville were able to go to Rome, as there was a vacancy from the previous year. Cabanel Death of Moses (untraced), an academic composition, painted to comply with the regulations of the Ecole de Rome, was exhibited at the Salon of 1852. The pictures he painted for Alfred Bruyas, his chief patron at this time (and, like Cabanel, a native of Montpellier), showed more clearly the direction his art had taken during his stay in Italy. Albayde, Angel of the Evening, Chiarruccia and Velleda (all in Montpellier, Mus. Fabre) were the first of many mysterious or tragic heroines painted by Cabanel and show his taste for the elegiac types and suave finish of the Florentine Mannerists.
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