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Doubting Thomas (nn03)
new8/CERQUOZZI, Michelangelo-725324.jpg
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Doubting_Thomas_(nn03)
1599
Oil on canvas 107 x 146 cm 42 1/4 x 57 1/2 in Stifung Schlosser und Garten Potsdam-Sanssouci,Potsdam
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The Linen Carder
new3/CERQUOZZI, Michelangelo-937637.jpg
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The_Linen_Carder
mk67
Oil on slate
8 1/4x9 1/16in
Pitti,Palatine Gallery
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Street Scene in Rome
new16/CERQUOZZI, Michelangelo-444697.jpg
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Street_Scene_in_Rome
Oil on canvas,
58 x 69 cm
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Figures in a Tree-lined Avenue
new18/CERQUOZZI, Michelangelo-742839.jpg
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Figures_in_a_Tree-lined_Avenue
1640s
Oil on canvas
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The creation of Adam
new20/CERQUOZZI, Michelangelo-632693.jpg
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The_creation_of_Adam
mk250 Vatican City Sunday Sith extension of the top rock paintings, the year 1511-1512, the frescoes, about 569 x 279.4 cm.
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CERQUOZZI,_Michelangelo
Italian Baroque Era Painter, ca.1602-1660
Italian painter. He was a painter of bambocciate (low-life subjects), battles, small religious and mythological works and still-lifes. He was born of Roman parents, baptized in the parish of S Lorenzo in Lucina and spent his entire life in his native city. A member of the Accademia di S Luca since 1634, Cerquozzi attended meetings of the society as late as 1652. His friends included Domenico Viola, Pietro da Cortona and Giacinto Brandi. More significant were his associations with foreign residents in Rome. According to Baldinucci, Cerquozzi had special affection for the Spanish, owing to the patronage he received from the major-domo of the Spanish Embassy as a youth, and would often don Spanish attire as a sign of his sentiment. His Spanish connections may partly account for the many commissions he later received from patrons identified with Rome's pro-Spanish political faction (Haskell). Cerquozzi enjoyed equally good rapport with northern European residents of Rome. He is documented as having quartered with artists from beyond the Alps, including Paulus Bor and Cornelis Bloemaert, for the bulk of his career.
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