|
|
 |
| Click Image to Enlarge |
Annunciation (detail) sg
MAGNASCO, Alessandro1.jpg
|
|
|
|
|
Annunciation_(detail)_sg
c. 1482
Fresco
Loggia del Comune, Collegiata, San Gimignano
|
|
 |
| Click Image to Enlarge |
Annunciation (detail) sg
MAGNASCO, Alessandro2.jpg
|
|
|
|
|
Annunciation_(detail)_sg
c. 1482
Fresco
Loggia del Comune, Collegiata, San Gimignano
|
|
 |
| Click Image to Enlarge |
Bandits' Stopping Place
new5/MAGNASCO, Alessandro_VAw7GZ.jpg
|
|
|
|
|
Bandits'_Stopping_Place
1710s
Oil on canvas
The Hermitage, St. Petersburg.
|
|
 |
| Click Image to Enlarge |
Sacreligious Robbery
new5/MAGNASCO, Alessandro_jXchSW.jpg
|
|
|
|
|
Sacreligious_Robbery
1731
Oil on canvas
Quadreria arcivescovile, Milan.
|
|
 |
| Click Image to Enlarge |
THe Gypsies'Wedding Feast (mk05)
new6/MAGNASCO, Alessandro-997272.jpg
|
|
|
|
|
THe_Gypsies'Wedding_Feast_(mk05)
Canvas,34 x 47''(86 x 119 cm)Given in 1927
|
|
|
| Prev Artist Next Artist
|
|
MAGNASCO,_Alessandro
Italian Rococo Era Painter, 1667-1749
Painter and draughtsman, son of (1) Stefano Magnasco. He did not study with his father, who died when he was a small child. He went to Milan, probably between 1681 and 1682, and entered the workshop of Filippo Abbiati (1640-1715). His Christ Carrying the Cross (Vitali, priv. col., see Franchini Guelfi, 1987, fig. 238) faithfully repeats the subject and composition of Abbiati's painting of the same subject (Pavia, Pin. Malaspina). Alessandro Magnasco's early works were influenced by the harsh and dramatic art of 17th-century Lombardy, with dramatic contrasts of light and dark and livid, earthy tones, far removed from the bright, glowing colours of contemporary Genoese painting. The depiction of extreme emotion in the St Francis in Ecstasy (Genoa, Gal. Pal. Bianco) was inspired by Francesco Cairo's Dream of Elijah (Milan, S Antonio Abate). However, Magnasco was already expressing himself in a very personal manner, with forms fragmented by swift brushstrokes and darting flashes of light. The Quaker Meeting (1695; ex-Vigan? priv. col., see Franchini Guelfi, 1991, no. 18) is one of his first genre scenes. In this early period he specialized as a figurista, creating small human figures to be inserted in the landscapes and architectural settings of other painters. He also began collaborating with the landscape painter Antonio Francesco Peruzzini, with a specialist in perspective effects,
|
|
| Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction on canvas Chinese Oil Painting Wholesale USA Oil Painting |
|
