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The Penitent Apostle Peter
new3/Dyck, Anthony van_7qdtuC.jpg
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The_Penitent_Apostle_Peter
1617-18
oil on panel
The Hermitage, St. Petersburg
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Head of a Robber
new3/Dyck, Anthony van_ft6ZEw.jpg
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Head_of_a_Robber
1617-1618
oil on canvas
Art History Museum, Vienna
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Young Woman with a Child
new3/Dyck, Anthony van_T2GbKH.jpg
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Young_Woman_with_a_Child
1618
oil on panel
The Hermitage, St. Petersburg
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The Lamentation
new3/Dyck, Anthony van_nziafG.jpg
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The_Lamentation
1618-20
oil on canvas
Art History Museum, Vienna
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Apostle Jude
new3/Dyck, Anthony van_zbwDX4.jpg
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Apostle_Jude
1619-21
Art History Museum, Vienna
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Dyck,_Anthony_van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses,
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