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Landscape with Flagpole
new9/Wilhelm Trubner-956722.jpg
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Landscape_with_Flagpole
mk87
1891
Oil on canvas
48x65cm
Winterthur,Stiftung Oskar Reinhart
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On the Sofa
new12/Wilhelm Trubner-672642.jpg
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On_the_Sofa
mk138
1872
Oil on canvas
52x45cm
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The Pub on Fraueninsel
new19/Wilhelm Trubner-293499.jpg
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The_Pub_on_Fraueninsel
mk235
1891
Oil on canvas
48x65cm
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Neuburg Gates
new19/Wilhelm Trubner-758629.jpg
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Neuburg_Gates
mk235
1913
Oil on canvas
62x80cm
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Teerosen und Flieder im Glas
new25/Wilhelm Trubner-939959.jpg
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Teerosen_und_Flieder_im_Glas
Date 1882(1882)
Medium Oil on wood
Dimensions 23 x 18 cm
cjr
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Wilhelm_Trubner
German, 1851-1917
was a German realist painter of the circle of Wilhelm Leibl. Trubner was born in Heidelberg and had early training as a goldsmith. In 1867 he met classicist painter Anselm Feuerbach who encouraged him to study painting, and he began studies in Karlsruhe under Fedor Dietz. The next year saw him studying at the Kunstacademie in Munich, where he was to be greatly impressed by an international exhibition of paintings by Leibl and Gustave Courbet. Courbet visited Munich in 1869, not only exhibiting his work but demonstrating his alla prima method of working quickly from nature in public performances. This had an immediate impact on many of the city's young artists, who found Courbet's approach an invigorating alternative to the shopworn academic tradition. The early 1870s were a period of discovery for Tr??bner. He travelled to Italy, Holland and Belgium, and in Paris encountered the art of Manet, whose influence can be seen in the spontaneous yet restrained style of Trubner's portraits and landscapes. During this period he also made the acquaintance of Carl Schuch, Albert Lang and Hans Thoma, German painters who, like Trubner, greatly admired the unsentimental realism of Wilhelm Leibl. This group of artists came to be known as the "Leibl circle". He published writings on art theory in 1892 and 1898, which express above all the idea that "beauty must lie in the painting itself, not in the subject". By urging the viewer to discover beauty in a painting's formal values, its colors, proportions, and surface, Trubner advanced a philosophy of "art for art's sake".
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