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The sad Virgin
new16/Quentin Matsys-859533.jpg
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The_sad_Virgin
mk166
Rainaldo gives Costro, Coimbra, Portugal
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The Moneylender and his Wife
new21/Quentin Matsys-983884.jpg
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The_Moneylender_and_his_Wife
The Moneylender and his Wife (1514)
Oil on panel, 71 x 68 cm
Mus??e du Louvre, Paris
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A Grotesque Old Woman
new21/Quentin Matsys-649785.jpg
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A_Grotesque_Old_Woman
A Grotesque Old Woman
Oil on wood, 64 x 45,5 cm
National Gallery, London.
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Madonna and Child with the Lamb.
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Madonna_and_Child_with_the_Lamb.
ca. 1513(1513)
Oil on wood
110 x 87 cm (43.3 x 34.3 in)
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Virgin and Child
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Virgin_and_Child
Date 1529(1529)
Medium Oil on wood
Dimensions Height: 68 cm (26.8 in). Width: 51 cm (20.1 in).
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Quentin_Matsys
Flemish Northern Renaissance Painter, ca.1465-1530,Flemish painter. After studying in Louvain, he moved to Antwerp by 1491, remaining in that city throughout his life. Influences of Italian art, especially of Leonardo da Vinci, may be seen in his work, particularly in the delicate modeling, the subtle nuances of tone, and in the adoption of Leonardo's grotesque head studies for such pictures as The Old Man (Jacquemart-Andre Mus., Paris) and Ugly Duchess (National Gall., London). Massys sought inspiration also in works of earlier Flemish artists, especially of Jan van Eyck. The combined Flemish and Italian influences aided Massys in evolving a calm and measured style, with solid figures and soft textures. He developed a type of portraiture in which the sitter was placed against an appropriate background, as in his painting of St. Erasmus surrounded by books and papers (National Gall., Rome). There are religious subjects and portraits by Massys in the museums of Munich, Brussels, Antwerp, Chicago, and Philadelphia. Quentin's son, Jan Massys, c.1509?C1575, painted satirical and later more elegant works under French influence. Judith (Mus. of Fine Arts, Boston) is characteristic. Another son, Cornelis Massys, d. after 1560, was a landscape painter and engraver.
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