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St John Altarpiece
new25/Quentin Matsys-596779.jpg
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St_John_Altarpiece
between 1507(1507) and 1508(1508)
Medium oil on wood
cyf
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St John Altarpiece
new25/Quentin Matsys-379964.jpg
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St_John_Altarpiece
between 1507(1507) and 1508(1508)
Medium oil on wood
cyf
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St John Altarpiece
new25/Quentin Matsys-665796.jpg
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St_John_Altarpiece
between 1507(1507) and 1508(1508)
Medium oil on wood
cyf
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The Virgin Enthroned
new25/Quentin Matsys-475763.jpg
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The_Virgin_Enthroned
1525(1525)
Medium oil on panel
cyf
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The Adoration of the Magi
new25/Quentin Matsys-674864.jpg
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The_Adoration_of_the_Magi
1526(1526)
Medium tempera and oil on wood
cyf
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Quentin_Matsys
Flemish Northern Renaissance Painter, ca.1465-1530,Flemish painter. After studying in Louvain, he moved to Antwerp by 1491, remaining in that city throughout his life. Influences of Italian art, especially of Leonardo da Vinci, may be seen in his work, particularly in the delicate modeling, the subtle nuances of tone, and in the adoption of Leonardo's grotesque head studies for such pictures as The Old Man (Jacquemart-Andre Mus., Paris) and Ugly Duchess (National Gall., London). Massys sought inspiration also in works of earlier Flemish artists, especially of Jan van Eyck. The combined Flemish and Italian influences aided Massys in evolving a calm and measured style, with solid figures and soft textures. He developed a type of portraiture in which the sitter was placed against an appropriate background, as in his painting of St. Erasmus surrounded by books and papers (National Gall., Rome). There are religious subjects and portraits by Massys in the museums of Munich, Brussels, Antwerp, Chicago, and Philadelphia. Quentin's son, Jan Massys, c.1509?C1575, painted satirical and later more elegant works under French influence. Judith (Mus. of Fine Arts, Boston) is characteristic. Another son, Cornelis Massys, d. after 1560, was a landscape painter and engraver.
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