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Butcher's Stall with the Flight into Egypt
Pieter Aertsen6.jpg
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Butcher's_Stall_with_the_Flight_into_Egypt
1551
Uppsala University Art Collection
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Market Scene with Christ and the Adulteress
Pieter Aertsen7.jpg
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Market_Scene_with_Christ_and_the_Adulteress
1559
Stadelsches Kunstinstitut, Frankfurt
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Market Scene
new7/Pieter Aertsen-845324.jpg
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Market_Scene
undated
Oil on oakwood,127 x 85 cm
Wallraf-Richartz-Museum,Cologne
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Christ and the Adulteress (mk14)
new7/Pieter Aertsen-246942.jpg
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Christ_and_the_Adulteress_(mk14)
1559
Oil on wood,122 x 177 cm
Stadelsches Kunstinstitut,Frankfurt
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Market Scene(Ecce Homo fragment) (mk14)
new7/Pieter Aertsen-338942.jpg
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Market_Scene(Ecce_Homo_fragment)_(mk14)
c 1550
Oil on oakwood,59.5 x 122.5 cm
Alte Pinakothek,Munich
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Pieter_Aertsen
1508-1575
Flemish
Pieter Aertsen Galleries
Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).
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