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Market Scene
new4/Pieter Aertsen-759958.jpg
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Market_Scene
Oil on oak wood,
91 x 112 cm
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Vanitas still-life in the background Christ in the House of Mary and Martha
new12/Pieter Aertsen-296346.jpg
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Vanitas_still-life_in_the_background_Christ_in_the_House_of_Mary_and_Martha
mk150
1552
Signed and dated
Panel
60x101.5cm
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Peasants by the Hearth
new16/Pieter Aertsen-964889.jpg
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Peasants_by_the_Hearth
mk156
1556
Oil on panel
142.3x198cm
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Butcher sale state with flight nacb Agypten
new17/Pieter Aertsen-943845.jpg
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Butcher_sale_state_with_flight_nacb_Agypten
mk186
1551
Uppsala, Universiter Konstsamling
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Museums national market woman at the Gemusestand
new17/Pieter Aertsen-538897.jpg
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Museums_national_market_woman_at_the_Gemusestand
mk186
1567 Berlin foundation, Gemaldegalerie
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Pieter_Aertsen
1508-1575
Flemish
Pieter Aertsen Galleries
Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).
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