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Raub der Helena
new23/Francesco Primaticcio-798384.jpg
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Raub_der_Helena
Medium Oil on canvas
Dimensions Deutsch: 155 ?? 188 cm
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Odysseus und Penelope
new23/Francesco Primaticcio-735983.jpg
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Odysseus_und_Penelope
Date Deutsch: um 1563
English: c. 1563
Medium Oil on canvas
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The Holy Family with Sts Elisabeth and John the Baptist
new25/Francesco Primaticcio-336635.jpg
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The_Holy_Family_with_Sts_Elisabeth_and_John_the_Baptist
Date between 1541(1541) and 1543(1543)
Medium Oil on slate
Dimensions Height: 43.5 cm (17.1 in). Width: 31 cm (12.2 in).
cjr
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The Holy Family with Sts Elisabeth and John
new25/Francesco Primaticcio-875878.jpg
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The_Holy_Family_with_Sts_Elisabeth_and_John
between 1541(1541) and 1543(1543)
Medium Oil on slate
cyf
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Francesco_Primaticcio
Italian 1504-1570 Francesco Primaticcio Gallery
Born in Bologna, he trained under Giulio Romano in Mantua and became a pupil of Innocenzo da Imola, executing decorations at the Palazzo Te before securing a position in the court of Francis I of France in 1532.
Together with Rosso Fiorentino he was one of the leading artists to work at the Chateau Fontainebleau (where he is grouped with the so-called "First School of Fontainebleau") spending much of his life there. Following Rosso's death in 1540, Primaticcio took control of the artistic direction at Fontainebleau, furnishing the painters and stuccators of his team, such as Nicol?? dell'Abate, with designs. He made cartoons for tapestry-weavers and, like all 16th-century court artists, was called upon to design elaborate ephemeral decorations for masques and f??tes, which survive only in preparatory drawings and, sometimes, engravings. François trusted his eye and sent him back to Italy on buying trips in 1540 and again in 1545. In Rome, part of Primaticcio's commission was to take casts of the best Roman sculptures in the papal collections, some of which were cast in bronze to decorate the parterres at Fontainebleau.[1]
Primaticcio retained his position as court painter to François' heirs, Henri II and François II. His masterpiece, the Salle d'Hercule at Fontainebleau, occupied him and his team from the 1530s to 1559.
Primaticcio's crowded Mannerist compositions and his long-legged canon of beauty influenced French art for the rest of the century.
Primaticcio turned to architecture towards the end of his life, his greatest work being the Valois Chapel at the Abbey of Saint-Denis, although this was not completed until after his death and was destroyed in 1719.
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